影片改编自蒲松龄《聊斋志异》之《聂小倩》。小倩生前被人所负含恨而终,死后化为女鬼,被姥姥囚禁于兰若寺。恰逢书生宁生进京赶考,借宿此地,意外救下小倩。逃亡途中,两人不断遭遇人间及地府势力的阻挠,却也在此般经历中感情升温。宁生带着小倩感受了人间美好,小倩决心还阳,却在到达鬼市后发现事情远没有这么简单……
未来的世界,科技的力量胜过一切,基因决定命运,几乎成为金科玉律。不幸文森特(伊桑•霍克 Ethan Hawke 饰)是一个基因不良的人,出生以来就决定了他近视和心脏病的缺陷,他只能活到30岁。于是父母为文森特增添了一个有着优良基因的弟弟。 文森特的梦想是漫游太空,然而恶劣的基因令他无法圆梦,直到他遇到了太空中心的杰罗姆(裘德•洛 Jude Law 饰)。杰罗姆有优秀的基因,却在一次意外中半身瘫痪。二人决定调换身份,文森特千方百计隐藏自己的基因信息,每天都认真清洗掉自己的皮屑毛发,不暴露任何蛛丝马迹。另一方面,杰罗姆帮他筹备进入太空前需要检查的基因物品。事情进展得非常顺利,然而一桩谋杀案和一根睫毛,让事情节外生枝。
鲍兴明是云南佤族瓮青寨的村民小组长,他一心想带领着乡亲们脱贫致富,但是这一次他遇到了危机。从小定下娃娃亲的肖家突然提出了要退婚,可就在要定亲当天借着游玩来此地“考察”的富家公子王启航巧然卷入了鲍兴明的一场婚姻风波。而之前由他牵头带领乡亲们卖寨子里的原生稻,却也在结款日到来之前买家突然失踪了。在处理这次危机的过程中,在鲍兴明的不懈努力和佤族人民的情怀下,打动了前来考察开发的王启航,最终二人决定共同开发佤族村寨,联合打响扶贫攻坚战。
故事开始于上世纪七八十年代的贝尔法斯特,泰瑞(理查德·多默 Richard Dormer 饰)是一个具有叛逆精神和激进观念的音乐爱好者。他在北爱尔兰的贝尔法斯特面临着冲突不断、生活困苦的情况下,作出了与他的朋友们选定立场的不同决定。他决定在风声鹤唳的街区开设一家唱片行,并将其命名为美妙的振荡。在他的唱片行经营初期,泰瑞先后签下了两支前途光明的乐队。当著名主持人约翰在BBC第一电台上连续播放低调乐队的热门歌曲《Teenage Kicks》时,这个时刻成为了泰瑞音乐梦想成为现实的转折点。然而,尽管泰瑞在音乐产业中取得了成功,他却并不是一个完美的英雄,面对私人生活,他有着极其自私的一面。
影片讲述了心理学硕士毕业归国的吉米,因为长久以来与母亲的不和放弃公司事务跑去江门散心,在江门偶遇了一对困境中的卖唱父女—月亮与她患有精神疾病的父亲。月亮已经到了上学的年纪,然而她为了照顾父亲不想去福利院,吉米看到后主动承担起照顾月亮爸爸的重任,月亮才开心的去往福利院,在照顾月亮父亲的过程中,吉米也渐渐感受了母亲对自己的爱,在吉米的照顾下,月亮父亲的病也渐渐好转起来。而后又带出了一串动人心弦的故事。该片从“困境儿童”的背景出发,以一后女心理学硕士的视角,在欢笑与泪水中呼唤人性的良知。
枚竹(刘威葳 饰)和丈夫肖路(张嘉译 饰)离婚多年,带着女儿禾禾嫁给了老谢(成泰燊 饰),肖路也和空姐董帆(余男 饰)重新组建了一个家庭。 禾禾被查出得了白血病,普通的化疗并没有很好的控制住病情,为了救禾禾,枚竹找到了肖路,提出想和他再生一个孩子,肖路无奈答应;经过三次人工授精的失败后,枚竹决定和肖路来真的,两个人的家庭也卷入了其中,四个人都经受着巨大的考验,面对选择,左右为难。
「为什么大家讨厌警察?」男孩询问母亲。身为警察的史黛芬妮,负责的却是警察暴力与失职案件调查。2018年,一名青年随亲友来到巴黎参与街头抗议,却因警方开枪,导致永久性脑部损伤。家人提出指控,警方却矢口否认,关键证据亦是不足。内外压力夹攻之下,史黛芬妮仍奋力调查,调阅摄像头比对、还原警员动线,越逼近真相之际,同僚的敌意也越发强烈⋯⋯
故事聚焦电气工程师、发明家尼古拉·特斯拉的事业及个人生活。
尽管父辈之间有着陈年旧怨,可方艺、章疑和卢启这三位性格迥异的富二代却一起哭,一起笑,成为了胜过同胞的兄弟。 可谁都没有想到,三人兄弟间的情谊小船竟在一夜之间说翻就翻。先是章疑与卢启为了一个女人争风吃醋,拳击决斗,卢启重伤失去神智,章疑入狱。而向来洁身自好,被誉为三兄弟间正能量担当的方艺醉酒后,竟然稀里糊涂地在酒店招嫖,随即也被“请”进了派出所。 一时间,这三位富二代兄弟成了这座城市里的笑话,而他们父亲的公司也同时出现了形形色色的危机。 这一切都像是巧合,却更像是一场阴谋。在大学同学林静的帮助下,走出拘留所的方艺和章疑决定追查真相,并帮助卢启恢复神智。 然而一番努力过后,真相依然深埋,而三兄弟却也彻底分道扬镳。 方艺痛苦不堪,为还自己清白,为了查清真相继续苦苦追查。而在危急时刻,章疑和卢启在过往兄弟情义的感召下又重新回到了他的身边。 三兄弟仿若英雄再聚首,并肩作战,终于查出幕后黑手,并将之绳之以法。方艺和他的两兄弟洗刷了自己身上被栽赃的污点,挽救了父亲的公司,找回了弥足珍贵的兄弟情义。当然,方艺也收获了他和林静之间的爱情……
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
高大官来到偏远小城穷途县担任县令,不过这里一直都有古兽吃人的传说。三年时间里,县里的人每年通过祭祀古兽来换取短暂的安宁,但这导致百姓都没有足够粮食吃,经常会有人饿死。后来高大官通过探查得知,背后的始作俑者就是带领大家祭祀的麟老。 麟老曾在十年前带着身染天花的儿子乞讨到这里,后来儿子被县里的人抢去扔到山下,企图通过这种方式来化解瘟疫。从那时起,麟老就打算向全县城的人报复。他收养了一名女孩,并把她培养成了武功高强的人,然后伪造出古兽伤人的谣言,为的就是把大家的粮食都骗走。直到高大官的到来,识破了麟老的诡计,最后麟老想烧死剩余人的计划也被阻止。
IT天才汪一城年少成名创业成功,巨大的成功带来的浮华笼罩他,让他迷失了自我,甚至有意伤害陪伴多年的恋人,恋人离他而去。一项商业决策让汪一城一败涂地,对他伸出援手的只有亦敌亦友的兄弟鲁哲,两人携手再次创业,两人历经险阻,汪一城终于找回自己,明白创业的意义以及什么是爱。