复活节

　　在卡秋莎的婚礼上，一个女人大闹婚礼现场，并说她的丈夫最爱的是她，现场乱作一团。卡秋莎对此耿耿于怀，一直走不出阴影，她的朋友们多方劝解，希望她能放下过去，开始新的恋情……

　　珍（凯瑟琳·海格尔 饰）是个完美伴娘，已经穿过27套伴娘服的她笃信真爱，可是面对自己暗恋许久的人——她的上司乔治，珍却总是爱在心，口难开。
　　一次派对上，珍的妹妹苔丝和乔治邂逅了，火热招摇的苔丝迅速攫住乔治的目光，事实上，苔丝就是个骄横跋扈的大小姐，但为了俘 获乔治的心，她编出种种谎言，装成温顺可爱的乖乖女，使两人关系迅速升温。不久，两人便打算闪电结婚，而珍则再一次被邀请成为伴娘……

　　彬仔（小彬彬 饰）今年7岁了，天生异常顽皮捣蛋的他并不受人欢迎，被他捉弄得团团转的老师同学都拿他没办法。彬仔的父亲十分讨厌这个捣蛋鬼，但他母亲细毛却十分疼爱彬仔。这次，彬仔闯了大祸。他贪玩无意中偷了黑帮的花名册，黑帮找不到名册只好把他绑架了。彬仔的失踪并没有引起其父的注意，他认为一定是彬仔贪玩自己走远了。
　　寻子心切的细毛只好找到去世的姐姐生前的两个男友恶宝（洪金宝 饰）和黄记者（黄百鸣 饰），骗他们说彬仔其实是姐姐和他们所生的儿子，恳求他们四出寻找彬仔。两人忽然成了父亲，儿子还不见了。这一下，一出闹剧上演了。

　　这是一个看似荒诞的爱情悲喜剧。阿尔菲（裘德洛饰）是一个豪华房车司机。英俊不凡的外表，让他在风月场上如鱼得水。身边的女人换了一个又一个，阿尔菲却总在真爱降临的时候临阵逃脱，继续下一轮的风流快活。当有一天，因为某些原因，他急切想要的回头，曾经的爱情还在那里吗？仍然是热闹的节日，阿尔菲是会热闹温馨的拥有爱，还是会一个人孤独的缩在大衣里抵挡城市里迷乱而寒冷的风。他爱这座城市，这座从不缺少爱的城市，会给他留下什么呢？

　　电影《萤火侠》汇聚了新加坡和马来西亚多位谐星、无厘头的喜剧情节和正义的故事结构。电影讲述一位伸张正义的阿发把自己变成超级英雄，但是本身完全没有超能力，歪打正着后小有名气。并聘请了一位超级英雄助理，和另外一班反派超级英雄为社会打击罪犯。 这是一部以打击罪犯概念出發，以超级英雄为题材的時裝电影。所以电影里会出现美式超级英雄服装，多位演员在戏里演超级英雄，将会有很酷的超级英雄服装。在美式超级英雄电影里的英雄都偏爱紧身服，凸现其健硕肌肉的线条美，散发男性的雄壮，露出部分面部。

　　一家三兄弟，大哥（黄子华 饰）恋恋不忘的前女友Monica（邓丽欣 饰）竟成为二哥（张继聪 饰）的现女友。自尊心驱使下，大哥答应新结识的喵喵（林明祯 饰）的追求。三弟（陈湛文 饰）和女友Josephine（王菀之  饰）的姐弟恋长跑多年，也面临爱情危机。同一屋檐，3对情侣，4段恋情，每晚人齐开餐的相聚渐渐演变成饭桌修罗场，啼笑不停。面对旧爱与新欢，大哥将做何选择？大家努力维持的这个家，又该何去何从？

　　上一集与胡巴分别后，天荫（井柏然 饰）带着小岚（白百何 饰）踏上寻父之路，在义薄云天的天师堂堂主云大哥（杨祐宁 饰）的帮助下，二人得知天荫父亲宋戴天的护妖轨迹；而重回永宁村的胡巴再度被妖王追杀，颠沛流离逃亡时结识大赌徒屠四谷（梁朝伟 饰）和一只妖怪，三人一起过着相依为命的生活，但又因屠四谷欠下的巨额赌债横生诸多波折。与此同时 ，江湖盛传小妖王胡巴的重金悬赏令，妖界大军、天师精英、绿林草莽闻风而动，多方势力为抢夺胡巴在清水镇掀起腥风血雨。千钧一发之际，念子心切的天荫和小岚通过天师堂找到胡巴并一起逃离险境。岂料，一场更大的惊天阴谋尾随而至，伺机而动……

　　20世纪初的上海，适逢时代变革的关键时刻，各方势力汇聚于此，局势动荡不安，战争一触即发。为了推翻满清政府的封建统治，黎明会革命党人关飞虎（邵兵 饰）找到了来自日本的骗子伊泽修（織田裕二 饰），希望通过他高明的骗术从日本陆军手里搞到一批新式军火。迫于关对自己的救命之恩，万般无奈之下，伊泽只得出手相助，而他的对手却是狡猾无比的陆军中将东正信（渡辺謙 饰）。在这喧嚣动荡的十里洋场，一场斗智斗勇的功防战随即拉开序幕……
　　本片根据井上尚登原作改编，有中、日、韩三地演员联袂出演，并荣获2003年亚太电影节最佳男主角（織田裕二）和最佳美术指导奖。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　韩国演员赵镇雄和金成钧此次在《我们是兄弟》中饰演一对分别30年之久的兄弟，语言、生活习惯、思维方式、宗教信仰都完全不同的两人，但是刚相聚30分钟就把老妈给弄丢了，兄弟俩一起踏上寻母之路，有各种矛盾和搞笑的事情发生。

　　阿涵是一个潜伏在黑帮内部的卧底警察，秦爽是敌对黑帮老大的千金。阿涵为救边检高官的女儿，不得不将其绑架，却阴差阳错将秦爽绑了来。两人争吵不断又相互敌对，可日久生情，在相处中看到了对方的善良和可爱。接连的偶然事件发生，秦爽终于知道了阿涵的身份。阿涵将秦爽放走后，秦爽竟主动回来，要求阿涵继续绑架自己。此时的阿涵正值拿到黑帮贩毒证据的关键时机，秦爽的死缠烂打打乱了阿涵的计划，阿涵被秦爽折磨得几乎疯掉……

　　王大成是个酒店大厨，无意中在马路上捡回两个乞丐，这一老一小让他的生活发生了翻天覆地的变化。自己也因女朋友负债累累，老人临死前，将自己怀里的一块宝贝交给了王大成，这块宝贝的消息一经流出，江湖上所有人都想获得这块宝贝，却因为没有老人的指点无法获得这块宝贝真正的秘密，最后，老人并没有死，而是偷偷的溜走了，其他人也没有获得真正的秘密，而王大成却只想找回老人，让他安度晚年。