夏夜的微笑

　　早乙女星（福原遥 饰）是一名平凡的女子高中生，在她短暂的17年人生里，“地味”和“阴暗”一直充斥着他人对她的评价之中。这一次，早乙女星转学来到了心的高中，将此当成她人生重新来过的契机的早乙女，却在亮相当天出了洋相，导致她很快就遭到了同学们的又一轮排挤，人生跌入了无情无尽的黑暗之中。
　　就在早乙女最绝望的时候，校园里人气超高的学霸男宇田川泰阳（佐藤大树 饰）和沉默寡言的天文社社长大高深月（铃木仁 饰）出现在了她的身边。随着时间的推移，早乙女渐渐喜欢上了话不多但内心非常细腻的深月，得知了早乙女对深月的这份感情，心中充满了痛楚的泰阳意识到，自己也喜欢上了这个女孩。

　　鳄鱼拥有强悍力量的下颚，咬合力是动物当中最厉害的，确定了目标就会紧咬不放，立志成为鳄鱼的小鱼（柯震东 饰演），在17岁那年，为了义气曾踏错脚步，回归社会后他找了当年的大哥，现在在议员服务处担任主任的「刘主任」（李康生 饰演），想有个机会能过回普通人的生活的小鱼，请求刘主任让他留在 议员办公室做事。
　　一天，他接受了刘主任指派的里民服务，为青农陈芝平（李心洁 饰演）处理农地水源的问题。一个力争上游的小混混遇上一个不肯放弃的小青农，这不仅是农田的问题，也是一个要面包还是要爱情的选择题，面对如此残酷的食物链，陷入了爱情与事业挣扎的小鱼，能否摆脱束缚，实现「咬住不放」的精神，蜕变成为一尾翻江倒海的鳄鱼？

　　影片讲述了两对在大城市漂泊打拼的青年情侣，为了在大城市买房子安定下来，两位男主沈子文和马克都经历了一段曲折、励志的故事。最后，沈子文虽与女友分手了，但他对未来的生活依旧充满信心；而马克，经历了重重生活的磨练后，最后是事业爱情双丰收，在自己的房子里获得了属于自己的幸福，温馨的家。

　　和学生时代的恋人执手到现在，又是畅销的恋爱小说家，多珍（金荷娜 饰）被很多人所羡慕着。而殊不知，即将三十岁的多珍也面临着许多烦恼。自己的男友在英（尹继尚 饰）是购物频道的金牌编导，又长得一表人才，身边追求者无数，却只倾心于多珍她一个人。本来对二人关系很自信的多珍，却在相处了六年后，渐渐有了危机。不再如同学生时代那般浪漫和激情，工作后的在英越来越把自己当做空气，曾经浪漫的男人，现在却不知浪漫为何物。
　　是不是恋爱就一定会有倦怠期，所谓的七年之痒提前一年来到，多珍不知该不该和在英继续保持这种状态。于是，多珍决定以“同居”的方式使两人的方式更进一步，却发现弄巧成拙……

　　被丈夫遗弃的Ellen（张曼玉）与玩世不恭的网络公司创办人Mike（黎明饰）在美国旧金山一见钟情，开始了一段爱情攻防战争。
　　女人的天性使Ellen不自觉地侵入了Mike的个人空间，令不羁的Mike产生抵抗情绪，可是也终被Ellen的无条件付出感动，两人携手一起生活。然而在激情和温馨过后，因为Mike的公司出现经济困境，两人开始不断的争吵，暴露出各自的世界观有巨大差异的事实。在极度失意下，Ellen 提出分手，但像香港城的沦陷成全了白流苏和范柳原一样，一年后旧金山发生的大地震，为他们的重新牵手提供了契机。

　　经历千辛万苦，郭靖（郭追 饰）和黄蓉（黄淑仪 饰）终于回到桃花岛，然岛上已是一片肃杀景象。二人发现，黄蓉母亲的墓穴被人打开，江南七怪染血其中，死状凄惨。根据现场留下的线索以及大师傅飞天蝙蝠柯镇恶的证言，郭靖认准是黄老邪杀死了几位师傅，遂不顾黄蓉劝阻，与全不知情的黄老邪刀剑相向。另一方面，西毒欧阳锋和杨康亦在岛上出现，聪慧的黄蓉在铁枪庙戳穿二人的阴谋，并揭发杨康毒害欧阳锋之侄的真相。杨康恼羞成怒，攻击黄蓉时不慎中毒身亡。穆念慈万念俱灰，将尚在襁褓的幼子托付给黄蓉后亦随杨康而去。
　　十多年后，杨康之子杨过（傅声 饰）已长大成人。黄蓉恐其步杨康后尘，拒不授其武功。负气出走的杨过偶然在铁枪庙遇见因练九阴真经走火入魔的欧阳锋，于是随西毒学会了蛤蟆神功，更无意中知晓了自己的身世……

　"Behind Cut" tells the story of two men working towards their dreams together. The story revolves around Ki Jin, a design student with aspirations to become a world-famous designer, and Yeong Woo, who works part-time as a delivery man with a bright personality, and their struggles of work and love. Korea's top model Lee Bin comes into the picture and is expected to give the story a heart aching love triangle.

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　　宋诗乔（Angelababy/杨颖 饰）经常独自对着录音机说出自己心中的秘密。因为她患有的先天性疾病，让她无法从事任何剧烈运动，甚至还有失忆的征兆。所以，诗乔习惯了用录音机记录下自己生活的点点滴滴。同时，她也习惯了经常服用药物带来的诸多不便。看在眼里，痛在心头的母亲郑青（江珊 饰）对诗乔的关怀无微不至，母女俩相依为命，但是母亲最大的心愿就是让女儿能够体会爱情的美好。正是青春年少的诗乔，也突然发觉身边缺少一个可以分享感受的伴侣。一次偶然的机会，她在游乐场扮演卡通玩偶的时候，巧遇了引吭高歌的摇滚青年——高中同学宫宁（赵又廷 饰），后者便对她展开了爱情攻势。两人堕入爱河，这也是诗乔第一次感受爱情的美好。而宫宁也开始鼓励诗乔实现跳舞的梦想。然而，爱情从来都不会一帆风顺……

　　一个运动服装设计师过着双重生活，她同样是一个叫“China Blue”的妓女。她的一个客户， 一个离了婚的男人，爱上了她并想发掘她的秘密。于是他便开始追求她，但是她非常抗拒，因为他是她的客户。其间，一个住在红灯区的街道传教士决定要拯救 “China Blue”的灵魂， 于是他便开始不断激励她。最终她逃过这个传教士的纠缠，而那个追求她的男人却一心想要帮助她......

　　二战期间，卡萨布兰卡是欧洲逃往美国的必经之地，那里鱼龙混杂，局势紧张。里克（亨佛莱•鲍嘉 Humphrey Bogart 饰）是一个神秘的商人，他在卡萨布兰卡开了一家人气很旺的夜总会，并拥有两张宝贵的通行证。一天，反纳粹人士维克多和妻子伊尔莎（英格丽•褒曼 Ingrid Bergman 饰）来到夜总会，原来他们正在逃避纳粹的追捕。碰巧的是，里克发现，伊尔莎竟然是他的旧日情人。那段爱曾经刻骨铭心，却因为一个误会而终止。而当误会消解时，伊尔莎和里克的感情还是不可避免的重燃了。里克手上的两张通行证能帮助维克多度过难关，但这样一来，伊尔莎是决定留下，还是离去，他们的爱情在政治和伦理的推波逐流中走向何方。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.