吉米·卡尔：笑点狙击手

　　On his downfall from Heaven to Hell, Lucifer passes through the earthly paradise, a village in Mexico, where elderly Lupita and her granddaughter Maria live. Lupita's brother Emanuel pretends he's paralyzed so he can drink and gamble while the two women tend to the sheep. Lucifer senses an opportunity and plays the miraculous healer. He forces Emanuel to walk again, seduces Maria and makes Lupita doubt about her faith. He didn't bring bad luck, he only illuminated the line between good and evil, where it didn't exist before.

　　与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。
　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

　　2003年12月，广州中山大学中文系公演了《阴道独白》。自此，这部来自美国、致力于消除性别暴力的女性主义戏剧，在中国大陆燃起了一股阴道之火。上海复旦大学知和社、上海海狸社、北京Bcome小组，不同的剧组用不同的方式演绎。她们在学校演、在小剧场演、在咖啡馆演、在街头演、在地铁里演。《阴道独白》也有了自己的中国名字：《阴DAO多云》、《阴道之道》、《将阴道独白到底》。这些名字都保留着那个令公众感到刺耳的词——阴道。“阴道，我说出来了”，这是一个说出来的过程，也是一个行动的过程；这是自我觉醒的过程，也是走向公众空间的过程；这是学习、认识的过程，也是本土化的过程。十年后，我们重走阴道，去问问当年的参与者，看看现在的行动者，听听来自阴道的声音。

　　1941年，波兰裔移民里奥纳德·切斯（亚德里安·布洛迪 Adrien Brody 饰）为出人头地，开始经营一间酒吧。而此时密西西比的佃农麦肯利·摩根菲尔德（杰弗里·怀特 Jeffrey Wright 饰）怀揣音乐梦想背着一把吉他只身来到芝加哥，在街边他遇到了17岁的天才口琴演奏师小沃尔特，两人一拍即合，开始在切斯的酒吧驻唱。野心勃勃的切斯凭借自己敏锐的直觉和商业头脑，开办了切斯工作室（Chess Records），为沃特斯录制唱片，取得巨大成功。切斯在经营切斯工公室期间，广纳音乐人才，推陈出新，造就了一大批对美国乐坛影响深远的歌手……
　　本片主题曲Once in a Lifetime在2009年金球奖上，获得最佳电影歌曲提名。

　　在山谷里一个名叫“温泉町”的小镇上，住着各种各样的人们，在一对老夫妇的家里沉睡着一个从山上摔下来丧失了意识的男人拓次。老妇人将他从医院接回家，每天自己进行精心护理。每天前去探望拓次的是一个有些痴呆的青年，因为是他第一个在山里发现了拓次，所以他比别人更关心他。另外，还有住在水车场里的传次平老人；经营自行车存车场和小食堂的少年；在酒吧工作的菲律宾女人黛娅。拓次幼年时期的朋友电器店的上村，经常回忆起他和拓次常去玩的在深山里的一所房子。当他听说现在一个名叫阿竹的老婆婆独自住在那里时，他去拜访了她。春去冬来，人们的生活一点也没有变化，拓次还是静静地躺在那儿。有人提议用呼叫灵魂的办法试一试，结果也没什么效果。其后，到神社去看戏的黛娅和拓次在林中相会。经过这次不可思议的体验，他们两人又在山上的房子相会。他们看到干涸的井里涌出了水。上村在出现佛光的山顶，向拓次询问有关人的命运。从那以后，温泉的水比以前更热，再也看不到南亚来的女人们。
　　1997年日本电影学会奖特别奖
　　1997年日本蓝丝带奖最佳男演员
　　1997年日本映画大赏最佳男演员、最佳艺术指导、最佳摄影、最佳音响
　　1996年蒙特利尔国际电影节评审团特別大奖
　　《电影旬报》年度十佳影片第3位，最佳导演奖

　　和蔼善良的弗兰克·朗福勋爵（Jim Broadbent 饰）是英国政府上议院的领袖，同时也是探监慈善基金的积极倡导者。在他的帮助下，无数罪行累累的犯人幡然醒悟，痛改前非，迎来了崭新的人生。就在1965年，一连串令人发指的凶杀案震惊全英。年轻男子伊恩·布莱迪（Andy Serkis 饰）和女友迈拉·欣德丽（Samantha Morton 饰）残忍杀害了数名儿童，其手段之恶毒令人不忍卒睹。二人落网伏法后，分别被判处无期徒刑。此后不久，欣德丽邀请朗福勋爵探监，希望得到帮助。在多次书信和当面交流后，朗福相信欣德丽已真心悔过。虽然面临着来自政府和民众舆论的压力，但他仍决定赌上自己的名誉去为欣德丽争取假释的机会……
　　本片根据真实事件改编，并荣获2008年金球奖最佳迷你电视剧集、最佳男主角（Jim Broadbent）和最佳女主角奖（Samantha Morton）。

　　这部电影是以一部古怪的恐怖片为背景的，其中罗森塔尔(Rosenthal)患有神经纤维瘤病(一种在神经周围长满肿瘤的疾病)和美丽的失明妇女梅贝尔(Mabel)之间的浪漫爱情在剧中绽放，当她奇迹般地恢复了视力，却无法接受爱人的外表....

　　When Sarah, a girl with magic powers, and her normal twin sister Lindsey are invited to join both Alpha Nu Gamma and Pi Epsilon Delta, they discover that the two sororities aren't just rivals, they're bitter enemies. Suddenly, Sarah and Lindsey are initiated into an ancient battle between good and evil that threatens to drive the sisters apart and force one of them to make the ultimate sacrifice. Can Sarah learn to master her magic in time to defeat the resident evil on campus? Who can she trust and who will commit an unforgivable act of betrayal? The magic starts flying and anything can happen. When these supernatural forces collide, they'll give new meaning to hell week. Written by Alex

　　かつて母の愛人に殺意を抱いた男が、息子と二人暮らしの女を愛するようになった。しかし男は、“あの息子は俺を殺そうとしている“と思うようになり……。殺意と幻想の虜になった男の破滅を描くニューロティック・スリラー。加速度的に増していく恐怖演出と映像処理が特筆もの。

　　因为丝袜，他和死了两年的女人有了联系！
　　因为丝袜，他差一点失去了自己的亲生骨肉和女朋友！
　　李成辉和女朋友许佳佳在大城市打拼，有一天一个丝袜美女张楠住进了他们的隔壁，从此激发出李成辉内心深处的丝袜控和恋脚癖倾向。又因为女友的从不打扮以及不穿丝袜和高跟鞋，导致两人感情出现种种问题......

　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.
　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.
　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.
　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.
　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.
　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.
　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.
　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

　　日本新闻社曼谷分社的记者南部浩行（江口洋介 饰）从总社同事处了解到，近来不断有患病的日本儿童来到泰国进行非法器官移植手术。南部随即展开调查，并委托曾经的器官移植中介者帮忙收集资料，最终却发现很多泰国儿童竟然被活生生地摘除器官！
　　调查过程中他认识了在曼谷社会福利中心“爱之家”实习的日本女大学生音羽惠子（宫崎葵 饰），事实证明，这里的儿童面临着残酷的命运。他们不仅要遭受器官摘除的痛苦，还要被迫成为雏妓。黑暗的角落里，天真的儿童没有希望……
　　本片根据朝裔作家梁石日同名小说改编。