比利·怀德导演的第一部电影
两代百老汇的“西贡小姐”Lea Salonga和Eva Noblezada将合作出演新片《黄玫瑰》(Yellow Rose)，是一部音乐剧，聚焦一个17岁的菲律宾裔美国女孩，她来自得州，热爱乡村音乐，想当歌手。但她的母亲被美国移民和海关执法局逮捕，女孩逃走了，她必须闯出自己的路，不然会被跟妈妈一起驱逐回菲律宾。纪录片导演Diane Paragas执导，卡司将创作和演出片中音乐。
A company of friends rises in the funicular to meet unforgettably New Year's Eve on the top of the mountain. The guys are already anticipating how they will cheerfully slide down to the beat of the chimes and explosions of fireworks. But the adventure turns into a real nightmare, when in the midst of the holiday a flimsy trailer gets stuck over the precipice.
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这部电影由五个短片组成。《Putham Pudhu Kaalai》的五个短片讲述了在新冠疫情期间的希望、爱和新的开始。
登山ガイド３年になる立花柚月（工藤夕貴）は、ＷＥＢサイト「山女日記」で山ともだちを作りたいという投稿者に、山のイベントへの参加を促す。山フェスの日、引っ込み思案で山トモがいない西真奈美（黒谷友香）は、山女日記の投稿者の熊田結衣（舞羽美海）に声をかけられ、意気投合。同じくフェスに来ていた中野親子（利重剛・山根和馬）とともに、燕岳へのテント泊ツアーに参加する。柚月はガイド仲間である木嶋岳志（黄川田将也）とそのガイドを務めるが、途中、木嶋のフィアンセと噂される三島さゆり（黒川芽以）の勝ち気さにパーティが困惑したり、真奈美が酸欠で登れなくなってしまう。
第一部末世科幻片
After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette. “With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight Sound ).
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
1915年，第一次世界大战中，加利普里战役是盟军惨败的一场战役，却有无数澳洲人参予和牺牲。导演藉这场战役写一个少年梦，阿奇里是一个理想主义者，他本来是运动场的跑手，为了伸张正义参战，便把体育精神也带到战场上。他拒绝在战场上充当微不足道的跑腿，宁愿跳出战壕与敌军交锋，明知上级颁下荒谬的命令，仍然忠心耿耿地执行。他的好友法兰是一个浪子，喜欢在运动场上作弊，来到军营也是玩世不恭，等到他真正沾染战争的气氛，也逐渐收起轻佻态度。电影从澳洲西部的牧场开始，发展到开罗的训练军营，最后在土耳其的战场结束。战场上的军官求胜心切，明知下属被敌军的机关枪瞄准，仍然迫令他们冲锋陷阵，结果一败涂地。两个年青人一心为社会服务，结果一个要赔上性命换取经验，留下好友在旁边狂号，惊见理想幻灭。 影评幕后 编剧和导演用相当细腻的步调，将人性光辉描写得相当淋漓尽致，撼动人心。影片最后的停格，让人联想到了知名战地摄影记者 Robert Capa 于西班牙内战所摄下的经典照片《A Republican militiaman meets his death》。本片荣获澳洲电影奖最佳影片、导演、剧本等八项大奖，梅尔·吉布森更因此荣获影帝头衔。本片获得澳洲电影奖最佳影片、导演、剧本、男主角 (梅尔·吉布森)、男配角 (Bill Hunter)、摄影、录音、剪接等奖项。 梅尔·吉布森1956年1月3日出生于美国纽约，因浓重澳洲口音被当成澳洲人，父母是爱尔兰天主教徒，在纽约长大的吉布森从小就对电影产生巨大浓厚的兴趣。 1968年他随家庭迁至澳大利亚居住，并且在悉尼学习专业表演技术。随后进入影坛，1979年，吉布森出演了两部不同题材的故事片，在感人的剧情片《蒂姆》中，这位22岁的小伙子因成功演绎了而获得萨姆奖；另一部令他一举成名的则是著名导演乔治·米勒的科幻片《疯狂至极》，这两部影片的成功使得吉布森成为澳大利亚冉冉升起的耀眼新星。此外，他还主演了米勒导演的另一部影片《蒂姆》与此同时，他还受到另一位澳大利亚新浪潮导演彼得·威尔的青睐，主演《加里波第》并因该片第二次获得萨姆奖最佳男主角奖。1981年，吉布森在《冲锋追魂手》中的出色表演使他首次被全世界关注。他与威尔的第二次合作进一步提高了他的知名度，这次他在影片《危险年代》中饰演一位企图掩饰印度尼西亚血腥政变的麻木无情的记者。
杨威专职捉拿官府悬赏的大盗，方聪每次都抢先他一步取得大盗们的赃物,只将人留下给他拿去领赏。 富商赵宽及与其关系密切的萧、高、沈、江四家同时接得神秘大盗蜘蛛的死亡帖,杨受赵之托担任五人的保镖，方不请自来，也卷入此事件中。江飞霞与表哥沈玉胜已有婚约，而杨、方都对漂亮的江颇为爱慕， 萧关英及沈春山全家先后被杀，沈春山不知去向。杨、方二人怀疑蜘蛛大盗就在五人之中。他们寻得沈春山，原来他是为赵宽所擒，严刑逼问20年前京城被劫的珠宝下落。而方聪的真正身份是当年劫案苦主的儿子。 赵宽找到珠宝，被杨、方两人所杀。江、高出现，江承认自己是当年的蜘蛛大盗之女，一切均是陷井，是为了杀死赵、萧、沈等人，替父报仇。现在是杨、方两人联合对付江和高......
