双赢2011

　　Jude, a college literature professor, falls for one of his students. She is more interested in the empirical experience of a relationship with a man whose life is ruled by the themes of the Russian Lit. he extolls in class. Jude shows an interesting side of the stigmas associated with transgenerational relationships and how to deal with the inevitable pain of a love doomed to failure.

　　When Paula leaves Rio de Janeiro to resume her work as a volunteer doctor in the Amazon, Teto hatches an impulsive plan to follow her and chaos ensues.

两兄弟的工作是为了钱猎杀鬼魂，被分配到一个偏远村庄的项目

　　卡斯特拉（让-皮埃尔·巴克里 Jean-Pierre Bacri 饰）英俊多金，唯一的缺点就是为人粗鲁品味极差，一次偶然中，卡斯特拉在剧团里结识了名为克蕾拉（安娜·阿尔瓦罗 Anne Alvaro 饰）的女演员，后者的美丽和柔情让卡斯特拉很快便坠入了情网。
　　巧合的是，这并不是卡斯特拉同克蕾拉的初次见面了，原来，克蕾拉曾经担任过卡斯特拉的英语家庭教师。就这样，卡斯特拉展开了对克蕾拉的热烈追求，尽管卡斯特拉出手阔绰又挖空了心思想要讨好心上人，但克蕾拉却依旧对他不冷不热，个中原因只有一个，那就是卡斯特拉那糟糕透顶的品味让克蕾拉望而却步。最终，卡斯特拉能否令克蕾拉回心转意呢？

　　At 2 Ela lost her ability of seeing and hearing because of a severe illness. And then she became a total disappointment of her family due to her untamed behaviors. But everything changed after an unorthodox teacher stepped into their lives to educate Ela while healing himself.

　　橄榄球队的茶水男孩鲍比•布施（亚当•桑德勒 Adam Sandler 饰）有人际交往障碍，反应迟钝的鲍比频频被队友们捉弄，教练瑞德认为他妨碍了队员训练，将其开除。失业的鲍比无法离开坚守了18年的茶水员工作，以不计报酬的方式投奔了一只经济状况困窘屡战屡败的大学球队“泥狗”，泥狗教练克莱恩偶然发现愤怒时的鲍比有超乎寻常的拦截能力，随力主鲍比入队，鲍比的母亲（凯西•贝茨 Kathy Bates 饰）因为担心，反对他任何离开自己身边的念头，尤其鲍比童年玩伴、问题女孩维基（费尔鲁扎•鲍克 Fairuza Balk 饰）的出现更令她忧心忡忡。瞒着母亲加入球队的鲍比帮助队伍连连获胜，并最终收获了爱情，还有别人对他真正的认可。

　　"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
　　"Community Spirit"
　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
　　"The Earth Seen from the Moon"
　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
　　"The Sicilian"
　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
　　"A Night Like Any Other"
　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

　　年过半百的哈利·兰格（杰克·尼科尔森饰）是位事业有成的音乐制作人，非但毫无老态龙钟之态，反而神采奕奕、精力旺盛。更准确的说——性欲旺盛。哈利的女朋友各个都年轻貌美，他现任的女朋友玛琳（阿曼达·比蒂饰）更是火辣性感。一次旅行之后，哈利来到玛琳母亲艾丽卡（黛安娜·基顿饰）的海滨别墅。本来浪漫的度假，哈利却突发心脏病。而玛琳有事返回纽约，只能由母亲艾丽卡和医生（基努·里维斯饰）照顾。离婚多年的艾丽卡是纽约著名剧作家，独自一人抚养女儿长大。这位迷人知性的女性深深的吸引着哈利，他不得不承认已经不可自拔的爱上了女朋友的妈妈。正当哈利犹豫不决时，他才发觉梦中女神艾丽卡已经和年轻帅气的医生相爱了。到底谁才能赢得美人芳心，抱得美人归呢？
　　女主角黛安·基顿因本片荣获第76届奥斯卡金像奖奥斯卡奖-最佳女主角提名等多项大奖。

　　《Crooklyn（种族情深）》是Spike Lee在94年拍的一部半自传电影，这部电影真实还原了美国纽约布鲁克林区和Bedford-Stuyvesant中普通黑人家庭70年代的生活，Spike Lee小时候就在布鲁克林区居住。这部电影的主角是一个叫Troy的小女孩，以及她的家庭，她的4个兄弟，她的父母。同时斯派克·李在里面也饰演了一个瘾君子的角色。Spike Lee是美国最具黑人意识的导演，所拍摄的题材大都跟黑人的出路、觉醒、种族歧视相关。他的电影风格犀利、节奏明快且极具爆发力，对于黑人的习性和社会困境有相当深刻的体会。所以本片就是通过对一个70年代普通黑人家庭故事的叙述，反映当时美国黑人的生活环境。

　　两个怪胎相遇之后
　　彼此的怪，不再奇怪
　　亚洲首部iPhone拍摄剧情长片
　　在爱情的世界裡，我们是彼此的怪胎。
　　陈柏青是一名严重神经性强迫症患者，有非常严重的洁癖。每月的15号是柏青唯一一天出门採买的日子，就在某个命运的15号，他遇见了与他「同病相怜」的另一个怪胎—陈静。
　　原本以为自己要永远孤单活在这世界上的两人，老天爷让他们相遇，发展出一尘不染的爱情，彷彿拥有了彼此就不再害怕被世界遗弃。然而这段看似命中注定的关係，却在柏青的强迫症突然消失后，渐渐的变了调…爱情的承诺，真的能永保新鲜吗？

跨年夜，两个喝得五迷三道的年轻人跑去坟地，把墓碑上的圣十字架给拔了——本想整一出恶作剧，谁知竟捅了马蜂窝。五道怨灵破锁而出，寸步不离地缠上他俩，两人只得踏上求赦之路，寻一处解脱。