风的痕迹

　　女学生小曼一次回家探亲便一去不返，失踪被发现后已经诡异死亡。作为同窗好友和闺蜜的芊芊，引导老师和三位同学一行人，不远千里来到远遥村，采风留宿，实则寻找哑女小曼的死亡原因，并为此复仇讨还真相。作为戏班班主女儿的哑女小曼，为何怀抱木偶曝尸荒野？而死后灵魂又如何被封印木偶中，午夜作乱？是自杀，还是阴谋？真凶由谁来惩？芊芊孤身探秘，勇闯凶宅，只为还闺蜜一个公道。

　　Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.
　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

　　西瓦尼（拉妮·玛克赫吉 Rani Mukherjee 饰）是一名心中充满了正义感的女警，一次偶然中，她发现了一帮以儿童为作案目标的犯罪团伙，西瓦尼顺藤摸瓜找到了幕后黑手卡伦（塔希尔·拉吉·巴辛 Tahir Raj Bhasin 饰）。当卡伦得知是自己的手下卡提亚尔泄露了自己的行踪后决定杀死他，幸运的是西瓦尼及时赶到，久了卡提亚尔一名，她也因此获得了一个得力的消息来源。
　　在西瓦尼和卡伦的几次交锋之中，西瓦尼始终占上风，卡伦在交锋中接连失去信赖的左膀右臂，就在西瓦尼感到能够一举破获这个犯罪团伙时却被告知，这个案子被德里警方全权接手，如果她再执意要调查下去，那么她将会成为整个德里警方的敌人。

　　Contemporary Prague – social decay is inevitable. Prostitute Romi’s failures at work and elsewhere drive her to enthusiastically pursue other options. Is she heading for salvation or damnation? This courageous film from a director most often associated with box-office hits marks another shift in his varied creative career.

　　本片改编自法国当代犯罪小说大师皮耶尔·勒迈特同名小说，与同样改编自同名小说并广受赞誉的电影《天上再见》属同一系列。影片讲述二战前的法国，银行家的女儿玛德莱娜在父亲去世后被亲友陷害失去一切，最终绝地反击大仇得报的故事，由法国国宝级女星芬妮·阿尔丹和因《监护风云》获得凯撒奖最佳女主角的蕾雅·德吕盖携手演绎，完美展现原著中充满浪漫主义的法式复仇故事，并相互映现了20世纪初时局动荡下的个人和国家命运。荣获2023年凯撒奖最佳服装设计奖和美术设计奖提名。

　　阿宝（周秀娜 饰），阿娇（卢颂之 饰）和TT（余晓彤 饰）各自面对着她们的深渊，一时之间找不到解决问题的方法，人生陷入了停顿和困境之中。一笔飞来横财吸引三人踏上了远赴马来西亚的旅途，她们以为，在那里等待着她们的会是充满了幸福和快乐的生活，以及享用不尽的荣华富贵。
　　然而，令三人没有想到的是，从她们踏上旅途的那一刻起，即落入了神秘女子诸葛（童冰玉 饰）一手策划的圈套之中，三人不仅没能享福，甚至还落入了贩卖妇女的人贩手中。兔子急了也要人，可不要小看这三个看似孱弱的女人，当她们尽情使用女人的手段来对抗专门欺辱压迫女人的罪犯们之时，可没有几个人能够与她们匹敌哦。

　　Ok, folks, this is my last Ishii upload. Totsugeki! Hakata gurentai is his first feature and last 8mm film. Haven't watched it yet myself, but from the looks of it, this is very much reminescent of eighties and nineties v-cinema, sort of like early Miike (only made in 1978). There is considerably more dialogue than in his earlier films, but it doesn't seem too complicated plotwise.

　　江城柳家的大小姐柳诗涵因为柳家落败，而被迫嫁入冯家做妾，在冯家她遭遇了威严的婆婆，满腹心计的大少奶奶和人不人鬼不鬼的大少爷。不仅如此，她的同父异母的妹妹碧城也进了冯家做了丫鬟，更让她意想不到的是，在冯家她竟然还遇见了被她自己亲手抛弃的初恋情人冯佑堂，而冯佑堂原来竟是冯家流落在外的二少爷。
　　放下仇恨，其实比你自己想象的要简单，当你决定放下一切，跨出那一步的时候，你就会发现外面的世界海阔天空。碧城没有回到柳家，而是选择了去上海求学，佑堂到底还是追上了诗涵，但诗涵拒绝了他愧疚的爱情，佑堂并没有放弃，因为他知道，他依然深爱着诗涵，并非因为其他。终于，精诚所至金石为开，三年后，诗涵又向他展开了双臂。

　　这部电影翻拍自大B 1973年主演的同名电影，影片以印地语和泰卢固语两种语言同时发行。主要讲述了ACP的维杰·卡纳警官与石油秘密犯罪组织斗智斗勇的故事，其中蕴含了亲情的悲离，爱情的甜蜜，还有友情的互助。柔和与硬朗的风格并行，值得一看。

　　教宗即將來訪！預計有數萬名群眾將湧進這個小村…。窮困的村民聽到這個好消息，高興得快要昏倒！他們打算趁機海撈一票，於是個個使出了渾身解數：有人要賣西班牙香腸，有人要做美味點心，也有人打算以燒烤的色、香、味，來誘惑教宗…。
　　面對這大好商機，貝托突發奇想，他決定在自家門前蓋個洗手間來獻給教宗；到時光靠路過的民眾，就能使他大發利市。貝托於是開始囤積大量衛生紙，並冒著生命危險，越過邊界去找一只在此地稱得上「稀有」的馬桶…。為了應付屆時大排長龍的人們，貝托甚至苦思對策，該如何使客人不會在裡面逗留太久…。
　　教宗就要來了！熱情沸騰的村民們，個個磨拳擦掌，準備迎接這史上空前的賺錢良機！但人已到隔壁村的教宗，卻遲遲還沒過來，村民都焦急的不得了…。教宗最後會來嗎？他又會帶來多少人潮和商機呢？每個人一生中最大的幸福和夢想，都押注在這具有決定性的一刻上！…

　　基于真实故事，美国男孩扎克·索比赫14岁被诊断患有骨肉瘤(18岁去世)，多次手术和化疗并未遏制癌症发展，在得知自己只剩几个月寿命后，他创作了《云》这首歌，感谢自己身边的人和所经历的一切，乐观面对。

　　从小在训练池畔长大、以成为游泳冠军为目标的库巴（Mateusz Banasiuk 饰），一直与母亲及女友同住狭小的公寓中。夹在母亲亦步亦趋的“贴身”照顾与女友黏腻交缠的规律生活之间，爱似乎只是义务，欲望则是身外之物。更衣室里随处可见精壮男体，但面对体内升起的另类冲动，库 巴总选择在野外公厕的狭小厕间里解决欲望。直到一场派对上邂逅有着截然不同生活的英俊大学生米哈尔（Bartosz Gelner 饰），库巴潜于水面下的爱欲情潮顷刻失控，规律的生活被打破殆尽，身边的人们也被卷入情感的暗流......
　　这是一部关于爱、缺少爱、以及诚实面对爱的电影。波兰新锐导演汤姆斯·瓦西莱斯基以时而冷冽、时而狂乱的摄影，奠定了都市高楼林立、人群拥挤却疏离的故事基调。电影成功捕捉在充满教条的社会框架中、人与人之间看似稳固实则扭曲的生存状态。多层次的声音设计更将压抑的欲望层层堆砌直至爆发。