不稳定的地球

　　迪士尼（Disney）壞蛋從神奇王國樂園偷走了假日魔術！ 加入殭屍明星，看看誰能先在華特迪士尼世界（Walt Disney World）進行的這項高風險假日比賽中拯救它。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

贝瑞和史都华抵达宁静的英国城镇斯坦福，他们的目标是令镇民以为外星人降临地球了。他们要当地人相信，天空的奇异光线代表他们已经被外星人监视多年。

《飞黄腾达-ONE冠军赛》不仅仅是一档求职竞赛节目，更是对当今社会价值观的一次深度反思。在这个信息爆炸的时代，成功不再仅仅意味着在书本上有出色的成绩。通过体能与商业双重挑战，节目传达了一种新型成功观，强调身体素质与智力同样重要。

　　迎接炎炎夏日，「大師兄」錢嘉樂偕同主持拍檔阮兆祥、麥美恩、林秀怡、林正峰，召集一眾藝人嘉賓走出錄影廠，同時將遊戲場地搬到泳池，舉行多場水上大激戰，務求帶來一連串消暑畫面，並為觀眾送上涼快笑彈！

　　BBC于2013年制作，CCTV于2015年引进，并于3月24-26日在《自然》栏目播出。
　　全3集分别为：
　　第1集《风沙星辰》在海湾地区深处，隐匿着世界最后一片大荒原。几十年来，它的神秘魅力和迷人景象一直不为世人所知。本片首次向世界展示它激动人心的多样地质和非凡的野生生物，以空前的近距离角度，带我们到三座大陆交叉点的神秘国度，感受富饶的文化和令人窒息的美景。
　　第2集《阿拉伯之珠》在阿拉伯南部的一个偏远角落里，一段山脊隐藏着一个巨大的秘密。每年在印度洋雨季的湿润下，阿曼佐法尔省的山区变成了一个神秘的隐藏世界：在这里到处都是瀑布，云雾缭绕着树林，处处都能发现变色龙和偷食蜂蜜的獾，成千上万只绿色的海龟上岸来产卵……
　　第3集《沙漠巨变》几个世纪以来，阿拉伯人会举行骆驼大赛庆祝特殊的时刻。但在过去的半个世纪，正如整个阿拉伯发生的这样那样的变化，骆驼大赛也已面目一新。如今的骆驼大赛添加了现代科技的元素。为了减轻负重，人们用重量不超过一台笔记本电脑的遥控装置代替了骑师。

　　【内容介绍】：
　　历史学家丹·斯诺穿上登山靴，带我们重走英国的大好河山，在如画的风景中挖掘诺曼祖先给我们留下的历史遗迹。从他们野蛮狂暴地登上英国海岸，到那些保存了千年的建筑遗迹...丹·斯诺会带领我们重温诺曼人的征服历程：登岸，侵略，征服，统治，殖民...
　　我们的探索从苏克塞斯郡的海岸线开始，征服者威廉与诺曼军队就是在这里首次踏上了英国的国土，为后来的黑斯廷斯战役做准备...威廉这次大举进犯的结果已是妇孺皆知，然而，在那场战争之前又发生了什么呢？
　　威尔士崎岖的地貌和当地彪悍的部落首领使得威尔士成为一片未开化的处女地...丹·斯诺将带领我们在曼诺河谷观赏那些诺曼时代拔地而起，鳞次栉比的城寨城堡。它们是男爵在国家开疆扩土行动中的手工产物，在这场行动中，诺曼人把自己的影响拓展到了威尔士和爱尔兰...
　　《诺曼行走》的最后一站来到约克郡，在诺曼人入侵四年之后，这里被残酷的大肆破坏，夷为平地，寸草不生...这种大规模的种族灭绝政策是诺曼人巩固英国统治的最后一步！我们这次将会揭秘，这里如何成为了诺曼人最大遗产的背景地...
　　From 夏末秋字幕组

　　Jane Austen remains one of the greatest writers of all time. Almost two hundred years after her death, her novels such as “Pride and Prejudice” and “Mansfield Park” continue to entrance generations of readers the world over. This film shatters any assumption that Austen herself lived the elegant Regency life of her financially comfortable heroines who ultimately find their true love.
　　Instead it reveals the real Jane Austen as part of strata of Regency society much crueller in its treatment of women and harsher in its economic realities than her novels and their current television adaptations convey. And it discovers a woman more tragic in her own personal love life who does not enjoy the “happy ending” that she bestows upon her own female characters.
　　Through readings and dramatic reconstructions, The Real Jane Austen pieces together the reality of Austen’s existence her modest upbringing in Hampshire as one of seven children of a clergyman her disappointment in love and the family’s poverty following the death of her father.
　　Through her writing Jane found financial independence without having to marry. Tragically only four years later in July 1817 while writing “Persuasion” Jane Austen died.
　　Filmed in locations associated with Austen including Jane’s birth place of Steventon and her later home in Chawton, and illustrated with extracts from film and television adaptations of Austen’s work, The Real Austen paints a vivid portrait of one of the greatest talents in English literature.

　　Tempers flare on deck as the crew hustles to prepare the boat for their first group of charter guests, a larger-than-life group of fun-loving southerners. A rowdy, randy charter guest wants to get very friendly with new deckhand, Andrew. Meanwhile, sparks fly as new crew members Kelley and Jennice get extra flirty in their co-ed bunk, and a rookie mistake leads the crew to believe that one of their own may be a liability.

　　温斯顿·丘吉尔、哈罗德·威尔逊、玛格丽特·撒切尔、约翰·梅杰、大卫·卡梅伦……这些为世人所熟知的英国首相的名字，在60年来不断更迭，而英女王伊丽莎白二世始终在端坐在他们背后。人们不知道的是，60年来，伊丽莎白二世在白金汉宫的一个被称作“相约星期二”的密谈中跟12位首相进行过会面。与其他英国公共生活的会晤不同，这是女王与她的首相进行的私人会晤。关于每一次会晤的内容，谈话双方一直保持着心照不宣的共识：永不复述谈话内容给别人，甚至包括他们的家人和配偶。
　　然而，英国国家剧院现场呈现的《女王召见》却打破了这个沉默公约，并想象了一系列唐宁街官员和女王之间的重要会晤。从丘吉尔到卡梅伦，每个首相都曾用这些私下谈话作为传声筒和忏悔录——时而亲密，时而具有火药味。
　　曾经在2006年的电影《女王》中因扮演伊丽莎白二世而斩获奥斯卡奖的影后海伦·米伦，此次“驾临”伦敦西区，领衔主演剧场大作《女王召见》。从年轻的母亲到祖母，这些私人谈话记录了伊丽莎白二世时代的弧线——政客们穿过选举政治的旋转门来来去去，而只有她依然如故，等着迎接她的下一个首相。
　　剧作家彼得·摩根与海伦·米伦在奥斯卡影片《女王》的合作之后再次在这部西区热门剧作中聚首。而这部戏的导演由曾获奥斯卡提名的导演史蒂芬·戴德利（《舞动人生（Billy Elliot）》、《时时刻刻》）担当，其精彩程度获得了多重保障。《泰晤士报》评价其观演感受时说：“有趣、真实、善良、跌宕起伏，并充满惊喜。我爱这部剧里的每一分钟。”