卓文君与司马相如

　　每个人都有不愿告人的秘密，很明显影片的主人公提塔迪-基洛拉莫也是一样，而且他的秘密还不止一个。这个50岁的男人8年前来到瑞士一个不知名的小镇，住在一间旅馆里面。8年间没有和人说话，没有工作，一直沉默在烟草和寂静中，他仿佛坠入到对某种隐藏物的沉思中而不能自拔。生活在他的面前，但他却无动于衷，到底什么样的秘密使他变成这样？

　　小城被茶庄窗前气质优雅的茶艺师吸引，从小城的手机店走到街对面的茶庄是125步的距离，小城想过去表白，却始终无法迈出这125步，好不容易鼓起勇气走进茶庄却发现，姑娘却和另一个男子在一起，小城认为自己失恋了，7天后，这个神秘的男子拿着一叠素描来找小城，小城终于知道了真相，可惜美好的初恋已和自己擦肩而过，青春的记忆回荡在街上……

　　高中生芳山光（仲里衣纱 饰）已成年，但是在她的脑海里，父亲长谷川政道的印象只是儿时分别的背影。身为电影摄影师的他总是很忙碌，似空中飞人，芳山光唯有与母亲芳山和子（安田成美 饰）为伴。因为在大学药学研究工作取得了成果，母女俩的生活出现了转机。然而，不幸接踵而至。和子遭遇车祸，昏迷中留下一句“回到过去，再见一面深町一夫”。光决定帮母亲实现心愿，于是她利用母亲开发的药物，穿越时空回到了70年代。但由于技术失误，光把时间搞错了，回到了1974年而非1972年，所以寻不到一夫的线索。无奈之下，她只得求助偶然遇见的大学生凉太（中尾明庆 饰），后者陪她一起寻找一夫。在凉太的狭小公寓里，光协助他完成电影梦想，而后者却渐渐爱上了她……

　　早乙女星（福原遥 饰）是一名平凡的女子高中生，在她短暂的17年人生里，“地味”和“阴暗”一直充斥着他人对她的评价之中。这一次，早乙女星转学来到了心的高中，将此当成她人生重新来过的契机的早乙女，却在亮相当天出了洋相，导致她很快就遭到了同学们的又一轮排挤，人生跌入了无情无尽的黑暗之中。
　　就在早乙女最绝望的时候，校园里人气超高的学霸男宇田川泰阳（佐藤大树 饰）和沉默寡言的天文社社长大高深月（铃木仁 饰）出现在了她的身边。随着时间的推移，早乙女渐渐喜欢上了话不多但内心非常细腻的深月，得知了早乙女对深月的这份感情，心中充满了痛楚的泰阳意识到，自己也喜欢上了这个女孩。

　　《八十一格》我国首部以大学生毕业、就业为题材的电影。张瑜导演指导的第一部的电影《八十一格》由著名影星王丽坤,当红快男阿穆隆与好男王睿联合主演.这部青春偶像戏抛弃了以往校园剧和社会剧的传统模式以挑战自我为题材，揭露了当代大学生毕业踏入社会心灵的蜕变成长与就业压力.讲述了三个从没经历过挫折和社会历练的大学毕业生,为了争夺一份成千上万人梦寐以求的工作，实现自我价值,接受了爱尼特公司为他们设计的重重考验：这次考试既不是笔试，也不是面试，而是一场充满了冒险气味的神秘之旅.他们将在只有一个背包和一个PDA的情况下，深入到城市的内部，以自己为棋子，诺大的城市为棋盘，去身临其境地玩一场“八十一格”的游戏.在游戏中的每一个格子所代表的区域去接受考验，再把得到的答案填在所在区域对应方格里……

　"Behind Cut" tells the story of two men working towards their dreams together. The story revolves around Ki Jin, a design student with aspirations to become a world-famous designer, and Yeong Woo, who works part-time as a delivery man with a bright personality, and their struggles of work and love. Korea's top model Lee Bin comes into the picture and is expected to give the story a heart aching love triangle.

…

　　来日本学习手工制鞋的韩国青年Leon（崔珉起 饰）仿佛对周遭的一切都不感兴趣，他一门心思专注眼前的事，固守孤独而坦然随性。这一天，他在最喜欢的公园里邂逅了烂醉如泥的韩国女子宋娜（韩英惠 饰）。不知为何，Leon偏偏被这个看起来并不起眼的女性所吸引。与Leon一同工作的 日本女孩小风秋子（青柳文子 饰）憧憬着这个韩国男孩，宋娜的男友纪戊（JR 饰）就读某日语学校，他暗暗喜欢着老师幸田加奈子（木南晴夏 饰）。加奈子有一位正在交往的男友荒川巳喜男（芹泽兴人 饰），荒川坐在轮椅上，行动不便让他充满悲观情绪。以Leon为中心，七位男女各自经历着情感的波动……

　　一个运动服装设计师过着双重生活，她同样是一个叫“China Blue”的妓女。她的一个客户， 一个离了婚的男人，爱上了她并想发掘她的秘密。于是他便开始追求她，但是她非常抗拒，因为他是她的客户。其间，一个住在红灯区的街道传教士决定要拯救 “China Blue”的灵魂， 于是他便开始不断激励她。最终她逃过这个传教士的纠缠，而那个追求她的男人却一心想要帮助她......

　　二战期间，卡萨布兰卡是欧洲逃往美国的必经之地，那里鱼龙混杂，局势紧张。里克（亨佛莱•鲍嘉 Humphrey Bogart 饰）是一个神秘的商人，他在卡萨布兰卡开了一家人气很旺的夜总会，并拥有两张宝贵的通行证。一天，反纳粹人士维克多和妻子伊尔莎（英格丽•褒曼 Ingrid Bergman 饰）来到夜总会，原来他们正在逃避纳粹的追捕。碰巧的是，里克发现，伊尔莎竟然是他的旧日情人。那段爱曾经刻骨铭心，却因为一个误会而终止。而当误会消解时，伊尔莎和里克的感情还是不可避免的重燃了。里克手上的两张通行证能帮助维克多度过难关，但这样一来，伊尔莎是决定留下，还是离去，他们的爱情在政治和伦理的推波逐流中走向何方。

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　歌舞伎名代のひとつで、道成寺伝説をもとにした悲恋物語。