惊天大贼王

　　3月开拍

　　一名年轻的冲浪者从海滩的悬崖上意外摔下，受伤严重的他却要面临更艰巨的挑战——独自一人必须在茫茫无际的大海中生存下去...

　　彼得从未放弃寻找生死未卜的妹妹。他在市集碰见一名算命师，算命师告诉他，只要找到一头神秘的大象，以及能够变出大象的魔术师，自然就会知道妹妹的下落。为了完成三项不可能的任务，彼得踏上一场曲折揪心的旅程，如果他真的成功了，影响的不只是他的人生，他所居住的小镇也将永远改变。
　　影片改编自二度荣获纽伯瑞儿童文学奖的作家凯特·迪卡米洛的同名小说。

　　After fighting in the Civil War, two Union Army buddies find themselves on opposite sides of the law with the post-war peace at risk.

　　素熙(金施恩饰)是一名专注于职业培训教育的高中生。希望找到一份好工作的素熙，开始在分拣呼叫中心进行职业培训，但她面临着贪婪公司的巨大压力。高中生太难以承受这种局面，最终导致了她的死亡。与素熙有着共同点的刑警吴宥真(裴斗娜饰)负责此案。她开始追寻素熙的死因。本片将担任第75届戛纳电影节平行单元第61届影评人周单元闭幕片。

　　哈威·凯特尔、索尼娅·布拉加([水瓶座])将出演新片[法蒂玛]。该片根据真实事件改编，讲述在葡萄牙法蒂玛，三个孩子声称目睹了圣母玛利亚显灵，并预言了灾难即将来临。其中两人在1917-1918年死于流感病毒，而他们在前一个星期才接受了教皇的洗礼。该片将由马克·彭特克沃([天气晴有时多云])执导，目前正处制作阶段。

　　After marriage, a woman struggles to be the submissive wife that her husband and his family expect her to be. The story follows her journey, as she changes herself and, even more so, changes the household.

　　已故泰米尔纳德邦首席部长J.Jayalalithaa的传记片。

　　男主已经有了妻女，还有巨额财产，但是在性方面一直得不到满足，经常跟一些女人厮混，很多年轻貌美的女人为了钱财愿意为他各种服务，然而男主却对年轻女子提不起性趣，他更喜欢成熟丰满的女人，一次偶遇一个兼职的陪酒女郎，被这个女人的成熟和风韵所吸引，他开始不断给这个女人钱，并不断的深入了解她，女人为了钱也愿意满足他的各种需求，然而男主对这个女人产生了真感情，而这个女人的目的依然是男主的钱财

　　Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

　　本片是同一故事第三度重拍的版本。此片将好莱坞的背景改成今日的摇滚乐坛，男主角原是着名的摇滚乐歌手，而女主角则在小型夜总会卖艺。影片中有不少热门插曲，部分片段的镜头和表演都不俗，但整体则显得有点矫揉造作，角色欠缺真正的生命感，不过娱乐性还是维持相当水准。本片曾获奥斯卡最佳电影插曲金像奖。