停不了的爱2002

　　作为两对相处了十余年的朋友，莎利（朱迪·戴维斯 Judy Davis 饰）和杰克（西德尼·波拉克 Sydney Pollack 饰）之间的和平分手让加贝（伍迪·艾伦 Woody Allen 饰）和朱迪（米亚·法罗 Mia Farrow 饰）夫妇感到不可思议。当看见杰克迅速的另结新欢之后，原本心平气和的萨利感到怒不可遏，为了安抚朋友受伤的感情，朱迪将自己的同事麦克尔（连姆·尼森 Liam Neeson 饰）介绍给了她，后者对萨利的狂热却让朱迪的内心里很不是滋味。
　　另一边，才华横溢的学生雷恩（朱丽叶特·刘易斯 Juliette Lewis 饰）吸引了作为老师的加贝的注意，尽管想在婚姻中保持忠诚，但他向往雷恩的心却像一列火车般无法回头。同时，和新欢相处并不愉快的杰克发现自己对旧爱念念不舍，而此时的萨利正和麦克尔打得火热。就是这样四个在职场上春风得意的成年人，他们的感情生活却是一团糟。导演伍迪·艾伦运用大量的对话探讨了夫妻和男女之间感情的始末，将现代人的情感和生活状态描绘的淋漓尽致。

　　布莱恩（安东·尤金 Anton Yelchin 饰）是一位名不见经传的小作家，每天都挣扎在退稿信中久久看不见出头之日。一次偶然中，布莱恩邂逅了名叫艾利艾尔（贝纳尼丝·玛尔洛 Bérénice Marlohe 饰）女子，这个温柔成熟的女人几乎满足了布莱恩对异性的一切幻想，只有一点十分遗憾，艾利艾尔已经结婚了。
　　然而，艾利艾尔告诉布莱恩，自己和丈夫有一个约定，那就是每天的5点到7点之间，他们两人都是自由且不受婚姻束缚的，可以随心所欲的做任何想要做的事情，甚至是寻找另一段感情。在艾利艾尔的循循善诱之下，布莱恩接受并且加入了他们的这段关系中。

　　專心致志的創業家邂逅一名活潑奔放的旅人，他贏得了她的芳心，但還得讓她那持反對態度的嚴厲父親對他另眼相看。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　伊莎贝尔（茱丽叶毕诺许饰演）是一位离过婚的巴黎艺术家，希望真爱降临，却总是在爱与不爱之间犹豫，在与每一个男人的爱情拉扯的同时，她也发掘自身对情感与慾望的悸动。上一秒在跟银行秃头男缠绵，下一秒又对帅气的音乐家动心；男人不坏她还不爱，越是对她漫不在乎，她越对他倍加呵护。迷失在这恋爱丛林裡的伊莎贝尔，是否能如愿找到穿透黑暗的那一缕阳光呢？

　　Richard Fleischer repeatedly turned down Dino De Laurentiis' overtures to direct the film. He ultimately relented when he realized that the best way to make the film was to shoot it straight and tell the story as truthfully as he could.

　　男主角经过一番努力，终于在一家皮包公司找到一个帮开发商冲锋陷阵的炮灰工作。他强行闯入传说中的“女神钉子户”的一方“神圣”小天地，二人撕逼大战一触即发，最后横亘在男女主角间的“坚冰”慢慢融化并且男主角通过重拾梦想和不懈努力，为女主角与开发商达成了双赢的美好结果。

　　複雑に揺れる3人の男女の、愛の行方を描いたドラマ。監督は「閉じる日」の行定勲。脚本は、行定監督と「閉じる日」の益子昌一の共同。撮影を「閉じる日」の福本淳が担当している。主演は、「RED SHADOW　赤影」の麻生久美子、「月光の囁き」のつぐみ、「けものがれ、俺らの猿と　Getting wild with our monkey」の永瀬正敏。2001年度キネマ旬報ベスト・テン監督賞受賞作品。16ミリからのブローアップ。

　　1958年，美国纽约。此时的黛安•阿布斯（妮可•基德曼 Nicole Kidman 饰）还是一个只知相夫教子的平凡女人。她生在富有的犹太商人家庭，父母经营着著名的Russek皮草店。从小养尊处优的黛安与身份悬殊的艾伦•阿布斯（泰•布里尔 Ty Burrell 饰）结婚，并努力协助他的时尚摄影工作。来自父母家庭的苛责以及婚后生活的枯燥无聊都让黛安倍感压抑和孤独。某日，一个新搬来的邻居莱昂内尔（小罗伯特•唐尼 Robert Downey Jr. 饰）出现在黛安的生活中，她为对方的神秘所吸引，开始有意识地去注意和探究莱昂内尔的一切。不知不觉间，她的人生悄然发生改变……
　　本片根据Patricia Bosworth在1984年出版的关于黛安•阿布斯的畅销传记小说改编。

　　一边是疏离却又顾家的丈夫，一边是再次走进她的生活的年轻前男友。面对失去激情的婚姻，这名记者必须做出选择。

　　备考生永浩（姜河那 饰）已经经历了连续两次失败了，如今，他正在巨大的压力之下，准备着第三次的考试。这样按部就班枯燥乏味的生活让永浩感到非常的窒息，绝望之中，他想到了许久没有联系的朋友素妍。想要知道朋友近况的永浩写了一封信给素妍，没想到很快就收到了回复。
　　实际上，素妍的境遇比永浩糟糕得多，她不仅没有能够考入理想的大学，而且如今身患重病，只能留在家中疗养。其实，给永浩回信的并非素妍，而是素妍的妹妹素熙（千玗嬉 饰），她冒用了姐姐的身份。一来二去之间，素熙和永浩通过信件结下了深厚的友谊，他们都将彼此视作生命中唯一的希望。