通过花木兰代父从军的事迹,反映了当时人民反对外族侵略的爱国主义思想,这是一个民间故事。
女出租车司机帕蒂遇到了一个奇怪的乘客,他头被打破了还忘记了自己的身份。正当帕蒂想帮他找回记忆的时候,却突然发现他可能是一宗谋杀案的凶手,然而事情并没有想象中那么简单。。。
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
努尔是一名记者,她每天都努力平衡工作、爱情和个人生活。一天,努尔的生活发生了戏剧性的转变,她偶然发现了一则令人大开眼界的调查新闻。
徐天鹤(王引 饰)和妻子(蝴蝶 饰)结婚多年,夫妻两人的感情一直非常的恩爱,他们唯一的遗憾就是无法拥有一个属于他们的孩子。邻居家一个名叫阿琳(王爱明 饰)的小女孩,因为不受父亲和继母的喜爱,常常孤独的一个人在后门玩,她唯一的朋友是一只小猫。 不忍心看到阿琳寂寞的样子,徐天鹤夫妻两人经过同邻居的协商,决定领养阿琳。在徐家,阿琳终于感受到了家庭的温暖和亲人的呵护。就在一家人其乐融融之际,阿琳的亲生母亲史小姐(李香君 饰)忽然现身,想要带走阿琳,这一举动自然遭到了徐天鹤夫妻的拒绝,可是史小姐实在舍不得女儿,于是以探望孩子为理由,成为了徐家的常客。
故事讲述到深山去过周末的一对情侣在途中遭遇飞车党的攻击,面对死亡威胁,这对情侣只能拼死抵抗飞车党,并最终摆脱了危险。
柳菲(殷新 饰)在日本留学其间,结识了好多中外留学生,其中与冷慧(赵红娜 饰)等人来往最多。冷慧接近柳菲是有明确目的的,因为都是冲着柳菲父亲(里坡 饰)去的,柳父是我国防工业部门的重要负责人,手中掌握大量国防工业机密。而冷慧等人在留学期间都被境外间谍机关收买,他们看中了柳菲的特殊身份。冷慧得知柳菲急于去美国留学,便对她开出交换条件。刚开始柳菲内心很矛盾,她深知这样做的后果,但经不起冷慧再三威逼利诱,仍冒险窃取了父亲保险柜内重要文件,换取了一纸美国留学邀请函。公安部门介入后,冷慧加紧了行动步伐......
母亲的身影,总是这麽近,又那麽远。外婆去世,八岁的奈莉随妈妈回旧居收拾,但大人哀伤的世界却容不下孩子走进。与爸爸相依的奈莉独自走到森林寻找妈妈儿时搭建的树屋,遇上同龄的玛莉安,名字跟母亲一样,两人开展了一段短暂而亲密的友谊。 继《燃烧女子的肖像》(2019)后,瑟琳·席安玛以细腻的女性触觉,潜入小孩敏感而脆弱的内心,在如幻似真的童梦里任时空暗换,与新相识相知相遇,分享悲喜哀乐,实现每个孩子心里都曾有过的美丽童话。如何去爱那个不完美的人生。
1930年,百色起义后,毕业于广州中山大学的杜鹃和母亲一起回到故乡果州县。一次偶然的机会,她从任县长的父亲杜德先的谈话中得知,她儿时的奶妈家的儿子陆春阳也要回来。陆春阳与杜鹃从小青梅竹马,后在中山大学任军训教官。杜鹃上学期间,在他的引导下,接受了进步思想,追求革命,共同的理想使他们建立了深厚的感情。"广州起义"后,他们失去了联系。翌日,杜鹃在龙蛀渡码头见到陆春阳。陆春阳是作为共产党特派员潜回家乡发动和领导各乡赤卫军,与龙蛀渡的白军决一死战,配合主力红军渡江,进入山区。杜鹃的哥哥杜琼是白军团长,由于叛徒告秘,陆春阳在码头遇险,他巧妙地与敌周旋,终于脱离虎口。陆春阳的到来,点燃了杜鹃心中的革命火种,她毅然站在革命的一边。在一次准备活捉杜德先的战斗中,因叛徒出卖,赤卫军失利。陆春阳的妹妹,赤卫队长达欢被俘。而出卖她的叛徒,正是与她热恋的覃爽。一天夜里,杜鹃去偷看达欢,却未被达欢理解。她决定自己过江做人质,与达欢交换。在壮族"三月三"歌会上,她利用对歌与陆春阳接上了关系。交换成功了,达欢得救。杜鹃利用杜家小姐的身份,成为赤卫军的耳目。在攻打果州、强占龙蛀渡的战斗中,赤卫军在陆春阳带领下,调虎离山,使红军顺利渡江,并揭穿了覃爽的叛徒嘴脸,被爱情蒙上了眼睛的达欢如梦初醒,悔恨交加。杜德先知道杜鹃所做的事情后,要将她装进猪笼,沉河处死。达欢只身入城,击毙杜德先,救出了杜鹃。并向叛徒覃爽射出了复仇的子弹,但达欢也被敌人击中,英勇牺牲。杜鹃扑在达欢身上痛哭不止。杜鹃奋力摇船向茶花屯急驶而去,当她踏上苏维埃的土地时,抑制不住内心喜悦,她高声地呼喊着:"我回来了。"
一位富裕的公子哥成天无所事事,好像已经放弃了理想,迷失了自我;而他的女仆却踌躇满志、努力生活着。当两人生活搅在一起,他们的矛盾好像更深了。入围第71届戛纳电影节。