康普茶

普通上班族伊原直人（重冈大毅 饰）突然接到一通电话，他的妻子伊原美雪（初夏 饰）和儿子春翔遭遇了一场严重车祸，危在旦夕。伊原仓皇赶到医院，却发现美雪早已无力回天，而春翔则在诡异的情况下活转人间。不久前，伊原曾半开玩笑地跟儿子说，壁虎的断尾埋进土里念上一段咒语后也能重新长成新的壁虎。在此之后，郁郁寡欢的春翔偷偷将母亲的断指埋进地下，谁知诡异的事情居然真的发生了。另一方面，伊原的前同事仓泽比吕子（桥本环奈 饰）当初曾对伊原新有好感，可是这件事被美雪发现后，她便经常遭到美雪生灵的恐吓和骚扰。

　　After new CIA recruit, Kelley Chandler (Polish) is seriously injured during a mission, surviving only on life support, his wife Tess (Agron), a former CIA operative, becomes determined to find out what happened to her husband. As the details of Kelley's last mission unravel, showing that his accident was an inside job, Tess puts everything on the line to keep Kelley out of harm's way, even if that comes with dangerous consequences.

　　Strange cravings and hallucinations befall a young couple after seeking shelter in the home of an aging farmer and her peculiar son.

　　尸体防腐员（简称EM），是专门对受到损伤的尸体进行消毒、防腐、修复以及妥善保存的技术工作人员，他们长年工作在黑暗密闭场所，甘于寂寞，尽最大的努力将尸体还原成生前的模样。美丽的村上美弥子（高島礼子 饰）即为防腐员队伍中的一员。
　　某日，17岁跳楼自杀的青年进藤由树（松尾政寿 饰）的尸体送到美弥子的工作室。最经过一番修复后，由树的头颅竟然离奇丢失。美弥子随即和平冈刑警（松重豊 饰）对可能的遗体买卖进行调查，慢慢地，他们将目标锁定在由树生前的恋人——高中女生筱原里香（三輪ひとみ 饰）。随着天才医生富士博士（柴俊夫 饰）和宗教组织大德院的介入，案情愈加扑朔迷离……

　　在查尔斯·李·雷伊将灵魂注入公仔十年后，他当年的女友蒂芬妮（珍妮佛·提莉 Jennifer Tilly 饰）多年不懈寻找他的下落，终于买通警察将玩偶“楚其”的残体带出，蒂芬妮凭借不熟练的伏都仪式，将缝合的楚其再次唤醒。然而觉醒的楚其对蒂芬妮并无爱意，伤心的蒂芬妮将楚其禁锢，不想却被楚其把她的灵魂移入了另一个女玩偶的体内。两个玩偶要恢复人类身体，就必须找到埋藏在查尔斯·李·雷伊坟墓中的护身符。于是他们盯上了一对儿被长辈阻挠的恋人杰德（凯瑟琳·海格尔 Katherine Heig 饰）与杰西。两个玩偶委托后者驾车将它们送去埋葬雷的坟场，同时一路大开杀戒，私奔的杰德与杰西惊觉自己陷入了玩偶情侣的掌控……

　　A murderous religious cult is way-laying travellers and stealing goods in nineteenth century India. As the disappearances mount and trade becomes difficult, the British East India Company is forced to act. But they give the job to an upper-class officer completely out-of-touch with the country rather than the obvious candidate who has been in India for years and well understands the people and culture.

　　米哈伊洛（穆斯塔法·纳达雷维克 Mustafa Nadarevic 饰）曾经是公认的钢琴神童，有着无量的前途和对音乐的无限热爱。然而，当他的父亲被革命法庭判处了死刑，而母亲无法承受这样的打击决定自杀之后，米哈伊洛就彻底的告别了天才的头衔，陷入了深深的痛苦之中。
　　一晃眼几十年过去，米哈伊洛依然没有能够走阴影中走出来。如今的他在一家琴行里教授音乐和钢琴，自始至终都过着形单影只的生活。一天，一个名叫奥尔吉查（安妮卡·多布拉 Anica Dobra 饰）的姑娘出现在了米哈伊洛的生命里，她的出现给米哈伊洛一潭死水的生活带来了很多的意外和惊喜，可是，当米哈伊洛和奥尔吉查越走越近时，他那可怕的过去也开始卷土重来。

　　美国总统受良心折磨，经常梦到核战争之后的惨景，精神压力极大，以致于想与苏联谈判废除核武器。联邦调查局长鲍勃想暗杀总统，以此来维持美国的核优势。
　　与此同时，心理学家保罗正在研究一种方法，令治疗师进入患者的梦境，引导他们克服噩梦，治疗睡眠障碍。这个技术越来越成熟，以至于主人公阿历克赛可以凭意念就进入他人的梦境。最后，在总统的核战废墟梦境里，总统、刺客托米和主人公阿历克塞进行激烈搏斗，当然，最终正义战胜邪恶。托米和鲍勃都在梦中被杀死。
　　在这部电影里，出现了后来虚拟现实题材的一个普遍“法则”：如果一个角色在虚拟世界中被杀死，他在真实中也会死亡。后来的网络虚拟世界虽然不同于可控梦境，但也继承了这个“法则”。《梦境》的场面十分宏大，又有着梦本身的荒诞离奇的反逻辑色彩，构成了变幻无常的时空风光。

　　《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。

　　Three college students, Ryan, Jake, and Erica, set out to film a great horror movie for one of their class projects; but during filming, something goes terribly wrong and the students suddenly find themselves in their own worst nightmare. Some of the events are caught on tape by the camera that Jake continues to record with, a camera that is later retrieved by two detectives, Adams and Dalton. It's now a race against time, and the detectives must use the video to rescue the students. As the case goes deeper, the detectives eventually find themselves in the middle of a dense forest on the outskirts of town, and what they uncover is far worse than what they could have ever imagined

　　Erstwhile Special Forces operative Doc Alexander is asked to broker a truce with the Mexican drug cartel in secrecy. When Oklahoma Governor Richard Jeffs celebrates the execution of a high-ranking cartel member on TV, his Chief of Staff and Doc inform him about the peace he just ended. But it’s too late, as Cuco, the cartel’s hatchet man, has set his vengeful sights on Doc’s daughter Dixie.
　　They don’t make ’em like Little Dixie anymore: honed to the bone, all gestures and actions, only a few words. Too many genre films these days try to create meaning by piling ideas and intentions on their narrative frames. John Swab, as always, works the other way around. Meaning and depth come from taking away whatever is superfluous – by reducing the plot to its bare essence and the characters to their core trades and tricks.
　　Ultimately, Little Dixie feels like the pulp fiction version of a Giacometti sculpture, all fearful symmetries and mirror images. A gem of crime cinema at its purest and most philosophical, proudly featuring noir’s new darling, Frank Grillo.