深海蛇难

　　女作家徐寻（李心洁）在处女小说获得空前成功后陷入创作困境。在创作新的定名为《鬼域》的小说时，她期望向读者呈现一个如幻似真的“诡异空间”，无奈反反复复几次构想出来的故事情节都差强人意，而昔日情人的再一次现身，更令她心绪纷乱，一怒之下，她删除了电脑里的《鬼域》初稿，却自此进入自己虚构出来的“鬼域”。
　　一番惊险之旅之后，徐寻在鬼域里遇见一小女孩（曾雅琪），得知鬼域意为“被遗弃的空间”，现实生活中人们所遗弃的一切（包括打掉的胎儿），都能在这里找到。在该女孩的帮助下，徐寻开始了更加恐怖的逃亡旅程，后来两人在鬼域老伯（刘兆铭）的指点下，朝鬼域的出口奔去，小女孩的身世之谜逐渐被揭开。

　　A skateboarder investigating the mysterious death of his roommate is led into the inner workings of a self-help company, and the pharmaceutical lab behind it.

　　讲述一个小孩由于看到打扮成圣诞老人的父亲和母亲露骨调情而变得愤怒不已。但在接下去的三十多年里，他却 ...

　　国民党反动派为垂死挣扎，决定把大西南黑山地区变成无人区，并秘密建造关押全国高级政治犯的集中营，实施所谓"07工程"。为此，敌人开始对我黑山游击队进行围剿。中共江城特委为粉碎敌人阴谋，特派军事教官白彬和报务员薛飞前往游击队。途中，他俩与敌人遭遇，不幸被捕。敌谍报处长雷鸣对白彬、薛飞酷刑拷打，逼问口供。在敌谍报机关的中共地下工作者顾芸，以打字员身份作掩护，一直暗中观察被捕同志的情况。一天，顾芸在打字时发现了白彬变节的口供材料，她立即将此情报交给地下党联络员老杨，转送游击队。白彬、薛飞突然被押上汽车驶往他处，路上，司机何诚打死押送士兵，自称是地下党联络员。众人甩掉敌追兵，返回游击队。夜晚，敌人悄悄摸进了山村，袭击地下党召开的支部会议，游击队政委李清为掩护同志们撤离，自己不幸被捕。游击队长贺大明在薛飞的鼓动下，率三小队去河谷埋伏，准备营救李清，不料走进敌人伏击圈，贺大明及三小队队员全部牺牲。这时，敌谍报机关的电台正紧张地监听游击队的情报。城内，白彬被伪装成敌军的游击队员追至教堂下，但游击队员又被敌人杀害。忍无可忍的白彬举枪横扫敌人，暴露了自己的真实身份，白彬夜闯敌谍报机关，寻找"07工程"文件，早已等待多时的敌渠报处长雷鸣在他背后举起枪，还得意忘形地讲述他精心策划的骗局，原来真正的叛徒是薛飞。李清在地下工作者温副官的掩护下，化险为夷。地下联络员老杨处决了叛徒薛飞。最后，智勇双全的白彬抓获雷鸣，粉碎了敌人的计划，但却……。

　　改编自卡夫卡的存在主义小说，以《触目惊心》(1960)成名的安东尼．柏坚斯饰演异境人物「K」，一朝醒来便发觉警察在旁，说他要接受审判，但无人告诉他干犯何罪。为了表示清白，K试图挑战司法制度，但悲剧人物始终逃不过卡夫卡式幽闭梦魇。影片卡士庞大，威尔斯依旧粉墨登场，还有法国 大美人珍．摩露，负责拍摄的是布纽尔的御用摄影师。影片以黑白菲林呈现超现实的封闭时空，威尔斯在影像实验中继续潇洒前行，从庞大的布景和众多的群众演员中，说明了他如何精心筹划出电影的无边国度。威尔斯自言这是他的最佳电影。

　　[远山恋人]、[天堂此时]导演汉尼·阿布-阿萨德将自编自导阿拉伯语新片[胡达的沙龙](Huda’s Salon，暂译)。影片卡司包括阿里·苏莱曼([必是天堂])、麦莎·阿德哈迪([特拉维夫在燃烧])等。影片讲述一名女子前往一家美发沙龙，却遭到了店主的敲诈。该片将在巴勒斯坦开拍。

　　他们喂给你的恐惧，作为你的晚餐。这是片子宣传语。斯蒂芬.金这个恐怖大王可谓是银幕上的拉登，到处编剧着一个个令人发指的恶梦。 《舐血夜魔》改编自美国畅销惊险小说家，有“恐怖小说王”之称的斯蒂芬.金的原作。斯蒂芬.金以写恐怖小说而名利双收，他所写的30多本小说不但在英语国家畅销，且被翻释成30多种文字而行销于世界各国。按《富比世》杂志估计，斯蒂芬.金光在1996年到1997年之间，其收入就达到8400万美元。一个作家能有这么高的收人，羡煞许多靠“爬格子”维生的人。 有关“梦游鬼”的记载最早出现于1884年首版的《百科全书之寰宇搜秘》中。它的起源可追溯到传说中的吸血鬼。“梦游鬼”是一种半人半猫科的可变形游牧动物，它以人类处女之精气神为食，猫之抓痕可置之于死地。
　　本片拍摄于1992年，由哥伦比亚影片公司出品，导演是米可.格瑞斯。影片情节紧张刺激，特效非常逼真，具有较强的娱乐性。

　　毕仁陪阿柯往小梅沙旅游，享受阳光海滩。阿柯无意中拾获镶有钻石的太阳眼镜，就此招惹邪灵缠身。毕仁马上把太阳眼镜丢弃，与阿柯回港。回港后，阿柯发现眼镜仍在旅行袋，以为毕仁大意没有丢掉，两口子为此吵架。阿柯入睡后，戴上眼镜、穿上泳衣在大厅游泳，醒来时告诉龙娣在梦中目睹少女在沙滩被杀。阿柯把眼镜带回海中，不幸遇溺，迷糊间看到凶案过程。

　　警方设立一个名为“2002”的部门，专门对付祸害人间的游魂野鬼。部门内潮（谢霆锋 饰）是拥有阴阳眼的人类，Sam（李灿森 饰）则是个鬼魂，整个部门便由这一人一鬼组成。期间他们遇到了形形式式的加害人类的鬼魂，并一一收复了。后来潮受死去的四婆所托，帮忙照顾住院中的孙女Rain（李彩桦 饰）。潮爱上了医院中的一名护士。但他要专心于Sam一起对付水鬼，这场争斗将决定他们的生死。

　　On the remote island of Chiloé in the late 19th century, an Indigenous girl named Rosa lives and works with her father on a farm. When the foreman brutally turns on Rosa’s father, she sets out for justice, seeking help from the king of a powerful organization of sorcerers.

　　This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
　　comments from imdb:
　　This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
　　This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
　　The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
　　I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
　　15 out of 10 and then some. 10/10
　　Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
　　And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
　　The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
　　Intelligent, emotional, tragic and real, this is an absolute gem. 9/10