讲述女儿被绑架的母亲与绑架孩子的家务助理在4天之中发生的故事的惊悚片。严智苑饰演一人培养女儿的母亲,追踪丢失的女儿的下落。孔晓振饰演与孩子一起消失的家务助理,加重影片的紧张感和悬疑。
医生夏铮从车祸昏迷中醒来,发现自己和七名毫无关联之人一同被困在密室之中!自杀女孩卢小鹿的一段尘封遗言,拉开血腥序幕——天堂在左,地狱在右。要想活下去,就要找出钥匙,找出凶手,将之残杀! 然而,线索接连出现,真相渐渐浮出水面——在场的所有人,都导致了卢小鹿的自杀!猜忌和怀疑如瘟疫蔓延,人性之恶被无限放大,八人的命运,又将何去何从……
张馨蕊毕业后回到老家工作,她想起了小时候与男主胡柯南的一个承诺。张馨蕊觉得如果给爱情划上一个句号那就是结婚,她向胡柯南暗示自己的想法。胡柯南故意装作没听懂,但他明显隐瞒了什么秘密。胡柯南给张馨蕊讲了一个古代凤凰的爱情离别故事。 胡柯南约张馨蕊去凤凰山游玩,同行的还有李明和莉莉,他们四人各有自己的目的,这也让他们处于危机中!张馨蕊喜欢画画,但她看着自己的画时却记不起里面的内容,她很迷茫,她不知道自己所看到的是真实还是虚幻,时间好像……。张馨蕊陷入一个深深的漩涡中,但她的潜意识一直推动她要发掘事情的真相,因为真相中有对她很重要的事物。对于一个柔弱的女子,她又该怎么办呢?
许多年前,太平山的孤儿院生活着一群无依无靠的孩子,他们相依为命,彼此培养出深厚的友情。多年后,早已进入社会王佩佩、陈嘉乐、陈慧心、林丽美、蔡志远和张振元重新聚首他们熟悉的孤儿院,但是最初的快乐并没有持续多久,因为将他们聚在一起的正是几起凶杀案。当年的十个伙伴中,先后有四人遭到残忍杀害,而作案手法竟然与他们小时候玩笑画出的画如出一辙。知情人惟有他们十人,真正的凶手就可能藏在剩下的六人中间。他们互相猜疑,全然忘记童年的情谊。 疑云重重的孤儿院气氛凝重,而凶手似乎并未就此停下屠戮的步伐。真凶是谁?他的目的又是什么?
阳光明媚的假日,叛逆的红发少女泰勒(蕾切尔·莱拉 Rachel Lara 饰)与麦迪(蕾切尔·维克瑟姆 Rachel Wixom 饰)、德里克(Alex Mandel 饰)、迪伦(David Namminga 饰)、凯米(茱莉亚·贝丝·斯特恩 Julia Beth Stern 饰)、亚当(Gabriel Olivera 饰)和特里弗(Matt Calloway 饰)等好友相约展开一段蛮长的公路旅行,却没料到在出行的当天她的父母就被一个变态杀手(麦克·科伯恩 Michael Copon 饰)残忍杀害。杀手窥见少男少女的喧嚣场景,随即驾驶一辆红色跑车张扬地尾随其后。贪图享乐的男孩女孩们无忧无虑,全然不知死神如影随形。 他们漫无目的抵达一处废弃的公园,谁曾想这里即将成为他们的葬身之所,残酷的杀戮盛宴拉开序幕……
Thomas and Marianne, a feuding couple whose relationship has hit a wall, decide to spend a weekend at Thomas’s uncle’s lakeside cottage. This is their last chance to save their relationship, which has been jeopardized by Marianne’s meaningless flirtations and Thomas’s uncontrollable jealousy. As they arrive, a restless yet charming neighbour welcomes them into their house and, realizing that Thomas’s uncle and girlfriend will not be showing up for days, suggests they share the dinner he has prepared. The drunken night that follows – with this man, who might not be who he seems to be, pushing his charms on Marianne – leads to a weekend of blurred emotions and events, where loyalties, guilt and a shared secret will test the young couple’s ability to survive. Along the way, flashbacks shed light on events that unfold, as Demers – who won the prize for Best Canadian Short Film at the Festival in 1999 for Décharge – begins to introduce information about each character in order to build doubt and ramp up the tension. Jaloux is a tour de force in both its European mood and style and its North American subject and nature, a result which could not have been achieved without the self-assured skills of an expert filmmaker.