故事开始于一间寻常的绑架事件。美丽的Jessie与她有虐待狂的弟弟Alan，还有Eddy，绑架了刚放学的16岁女孩Candy，把她拉到一座小山坡并埋在地下，接下来该做的事是向Candy的继父Avery——一位钻石商人索要赎金。但剧情在这里发生里逆转，有两件事是三名绑匪预料不到的。第一件是，Avery并不关心Candy的死活，得知女儿被绑架后仍然与情妇约会，对于他来说，如果女儿不幸遇难，他将得到上百万美元的保险赔偿，杀了Candy反而是帮了他，虽然Jessie通过关系买了一只从尸体上切下的耳朵做要挟，但仍无法威胁Avery。第二件出乎意料的事情是，在埋Candy的时候，一切都被藏匿在路边草丛里的才几岁大的小男孩Sean看到了，但是他却是一个失声的儿童，谁会相信他呢？

　　Fun loving couple George and Marion Kerby, bank stockholders, are killed in a car accident. As ghosts they need to to a good deed to get into heaven. Their target, stuffy, hen-pecked bank president, Cosmo Topper. Their good deed, they decide, should be to help Topper add a little fun to his life. And the hilarity ensues...

　　美军一名飞行员在南美洲的原始森林失踪了，那里盘踞着不怎么友好的当地游击队。美军特种兵少校达奇（阿诺•施瓦辛格 Arnold Schwarzenegger）率领部下亲自前往搜救。他们在森林里很快就发现了失踪的飞行员的尸体，死状恐怖。大家都认为那是当地的游击队干的，愤怒的队 员开始寻找当地游击队的基地，要为同伴报仇。
　　然而当他们发现当地游击队的营地时，发现当地人也被一种恐怖气氛所笼罩着。随后，队员们相继被袭击身亡，但每次都没发现敌人的半个影子。对方就像凭空隐形了一样。孤身一人的达奇决心凭自己的力量面对这股神秘恐怖的力量……

　　An ambitious newspaper reporter (Dick Powell), eager to scoop the competition, wishes he could know the news before it happens. A mysterious old man (John Philliber) grants the reporter that power, even as he cautions against using it. Now able to predict the news 24 hours in advance, the reporter goes about scooping all the other papers, picking sure-fire winners at the race track, and enjoying life... until he learns -- in advance, of course -- of his own death. Our hero's problem: How can he keep the future from happening?(imdb)
　　主人公每天晚上都收到一份次日早上出版的报纸，他获悉自己在数小时内即将毙命，然而他却幸存下来了。（乔治·萨杜尔《世界电影史》）

　　在大萧条期间，一名工会领导人和一名年轻妇女成为罪犯，对铁路的管理进行报复。

　　乔治·希顿编导的上乘战争片，剧情重点不是一场战役，而是一场布局精妙的心理战。剧情描述美国情报员杰佛逊·匹克在诺曼第登陆战前两天被德军绑架前往德国巴伐利亚。当派克从昏迷中转醒，发现他置身于盟军的一家医院中，而且此时战争已经结束，他还有了一个妻子叫安娜。精神病医生华特·格伯要跟匹克讨论他的失忆症，其实是想从他口中套出诺曼第登陆的军事情报。在关键时刻，匹克发现了这原来是一场骗局，乃跟德军玩猫捉老鼠的斗智游戏，最后更在格伯协助下逃回盟军阵地。悬疑性浓厚的情节始终掌控着观众的好奇心，三位主角詹姆斯·加纳、爱娃·玛丽·森特、罗德·泰勒也都表现出色，可惜压轴的逃亡动作戏拍得比较一般。

　　In 1960 Germany, Army lawyer Major Steve Garrett is assigned to defend four American soldiers charged with raping 16 year-old Karin Steinhof. She was swimming in a nearby river when the four of them came across her and they were soon arrested thereafter. Maj. Garrett is anything but impressed with his clients but his job is to give them the best defense possible. He tries to obtain a plea bargain but Karin's father flatly refuses and the prosecutor, Colonel Jerome Pakenham, is seeking the death penalty. In order for the death penalty to be applied, the defense attorney must have the opportunity to thoroughly examine the victim under oath. He sympathizes with Karin and does his best to convince Karin father to keep her from testifying. When he refuses, Garrett is left will little choice but to attack her on the stand. Written by garykmcd

　　伯迪（马修·莫迪恩 Matthew Modine 饰）是个从小活在幻想中的孩子，他一直向往鸟的生活，羡慕他们有翅膀可以飞翔，自己也兴致勃勃地动手制作翅膀，幻想有朝一日飞上天空。越战爆发打断少年美梦。战场上残忍的一幕幕让内心脆弱的伯迪受到极大刺激，终于失去理智，成为现实意义中的“精神病人”，被送进医院。在医院里，他从不说话，每天以鸟的姿态蹲着，以鸟的方式吃东西，在牢笼里望着一方小小的蓝天向往飞翔。为了治疗伯迪，医院找来他的儿时好友艾尔（尼古拉斯·凯奇 Nicolas Cage 饰），希望他能引导伯迪重新和人交流。艾尔用大量共同回忆开启伯迪的心智，也认识到对伯迪来说只有飞翔的梦想是永恒的……
　　本片根据威廉 ·霍顿发表于1978年的小说改编而成，曾获戛纳电影节评委会大奖。

　　Living in Tiger Tail County, Mississippi, middle aged Archie Lee Meighan and nineteen year old "Baby Doll" Meighan née McCargo have been married for close to two years. Their marriage is not based on love, but each getting what they want from the other. Their marriage agreement has them consummating their marriage on her twentieth birthday, which is in three days, the act to which Baby Doll is not really looking forward. But she does taunt him and other men with her overt "baby doll" sexuality, the baby doll aspect which she fosters by sleeping in their house's nursery in a crib. Baby Doll's now deceased father allowed the marriage on the stipulation that Archie Lee provide Baby Doll financial security as displayed by the most resplendent house in the south. They currently live in a dilapidated mansion with her Aunt Rose Comfort, and although Archie Lee is making some renovations on it, he no longer has the financial means to make it what Baby Doll wants as his cotton ginning ... Written by Huggo

　　龙格尔主演的第二部影片，龙格尔在影片中又演了一回苏联人，一名苏联军官，奉命刺杀黑人独立运动领袖，假装保护被抓的黑人逃跑，然后混进黑人组织中，但是黑人领袖对他有防范，刺杀未成功，逃走，回去被苏联高官迫害，拷打，最后逃跑，被一个少数民族的黑人救了，他很受黑人们的感动，最后身上文上了黑人部落身上的一个蝎子图按，保卫黑人，与苏联军队对抗

　　In this Tony Award-winning musical by Stephen Sondheim, several fairy tale characters learn the hard way that the 'Happily Ever After' they sought isn't necessarily so happy after all.

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

　　哈勒尔（马克斯·冯·叙多夫 Max von Sydow 饰）是一名作家，愤世嫉俗的他非常看不惯当代社会的很多生活习惯，无法融入社会的他常常把自己锁在家中闭门不出，在孤独和黑暗里，哈勒尔的精神来到了崩溃的边缘。一天，在机缘巧合之下，哈勒尔读了一本名叫《评荒原狼》的书，书中所写的内容令他醍醐灌顶，他觉得这本书简直就是为了他量身定制的。
　　一次偶然中，哈勒尔解释了酒吧女郎赫尔米娜，在她的介绍之下，又认识了音乐人帕布洛和女孩玛利亚（多米妮克·桑达 Dominique Sanda 饰）。当哈勒尔发现赫尔米娜和帕布洛有一腿后，嫉妒的趋势之下，失去理智的哈勒尔杀死了赫尔米娜。

　　公元2020年，云集了无数顶尖科学家的世界空间站（World Space Station）正在进行一项载人飞船火星登陆计划。由卢克·格莱姆（Don Cheadle 饰）率领的4人小组成功抵达这颗无人星球，他们在此发现一些奇怪景象，随后小组成员也接连毙命。为了调查这起悲剧 的原因并寻找可能的生还者，空间站派出伍迪·布雷克（蒂姆·罗宾斯 Tim Robbins 饰）率领的救援小组前往火星。
　　然而救援小组也遭遇诸多磨难，船体损坏、机器失灵、燃料泄漏、成员死亡等等，无一不在消磨着救援人员的斗志。抵达火星后，布雷克他们找到了卢克船长，继而发现亿外年前外星人留在火星上的遗迹和信息，这一切都与人类有着千丝万缕的关系……

　　一名马童令人费解地戳瞎了6匹马的眼睛。“恋马”的情节围绕性唤醒、希腊神话和宗教展开。虽然精神病医师试图解释艾伦的残忍行为，但在此过程中，他必须面对自己的心魔。

　　雷纳德（芭芭拉·贝尔·戈迪斯 Barbara Bel Geddes 饰）从小的梦想就是能嫁给一个金龟婿，做全职家庭主妇，长大后，她和百万富翁史密斯（罗伯特·瑞安 Robert Ryan 饰）相爱，并且最终携手步入了婚姻的殿堂。可是，结婚之后雷纳德才发现，婚姻生活并不是她想象的那么美好，而史密斯也有着不为人知的另一面，雷纳德想要和史密斯离婚。
　　雷纳德离家出走了，她宁愿去做诊所接待员，自食其力，也不愿意再活在史密斯的淫威之下。在诊所，雷纳德邂逅了名为拉里（詹姆斯·梅森 James Mason 饰）的医生，两人坠入了爱河，可与此同时，雷纳德发现自己竟然怀孕了。

　　故事发生在六十年代的美国洛杉矶，汤姆（罗伯特·杜瓦尔 Robert Duvall 饰）是一名侦探 ，一天，他去探望做神甫的弟弟德斯（罗伯特·德尼罗 Robert De Niro 饰），让汤姆没有想到的是，自己的弟弟竟然和发生在二十年前的一宗悬案有着千丝万缕的关联。在那起案件中，被害人是一名女性，而她似乎和德斯有着非常暧昧的关系。
　　为了证明弟弟的清白，汤姆对案件展开了调查，很快，一个名叫杰克（查尔斯·德恩 Charles Durning 饰）的男人浮出了水面。如今的杰克是一名建筑承包商，二十年前，他则是驰骋黑社会的头目。汤姆的举动引起了杰克的注意，杰克当然不会放任不管。

　　杰瑞（瑙玛·希拉 Norma Shearer 饰）和泰德（切斯特·莫里斯 Chester Morris 饰）彼此相爱，与此同时，保罗（康拉德·纳格尔 Conrad Nagel 饰）也深深的爱慕着杰瑞。最终，杰瑞决定选择泰德，而拒绝了保罗，这让保罗感到非常的伤心。心烦意乱之中，保罗开车出了车祸，导致同行的多萝西（Judith Wood 饰）毁了容。出于愧疚，保罗决定和并不爱的多萝西结婚。
　　一晃眼多年过去，杰瑞和泰德之间的婚姻并不是他们想象中的那么幸福美满。泰德整天就流连于各大宴会之中不着家，而杰瑞只能借酒消愁。一天，杰瑞和保罗重逢了，此时的保罗依然深爱着杰瑞，两人之间开始了一段为世理所不容的感情。

　　San Francisco Tong hatchet man Wong must execute his boyhood friend Sun. Sun knew his time was up and wrote out his will just prior to Wong showing up at his door. When Sun realizes Wong is there to kill me he tries to set his friend's mind at ease by telling him he is the beneficiary of all Sun's worldly possessions and convinces Wong to promise to take care of Sun's young daughter, Toya San who Sun has bequeathed to become his wife. Years later, when she becomes of age, she marries Wong, now a powerful figure, though she loves evil Harry. When Wong learns Toya will be happier with Harry he allows them to leave. Still later Wong learns that Harry has been deported and since Toya could not prove she was married to someone else she too was deported to China. When Wong learns of this, he goes after them.

　　Broke Edith murders and assumes the identity of her recently widowed, well-to-do twin sister Margaret, who had married Edith's former flame 20 years before. Can she fool the servants and the authorities and keep her new-found wealth?

　　剧情讲述美国缉毒人员因查案被杀，其女儿怀疑一英国化妆品公司与此事件有关，遂到此公司做工业间谍，因而认识了另一位以工业间谍掩饰身份的国际警察，二人合力破了大案。

　　A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about.
　　Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.