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恐龙的行军
13
10.0
HD
恐龙的行军
10.0
更新时间:04月30日
主演:斯蒂芬·弗雷
简介:

  这是一部关于恐龙的科教记录片,
  北极:7千万年前。一个极端的世界。夏季的阳光变成了24小時严寒的夜晚。恐龙们不得不做出选择,勇敢的向南迁徙以寻找阳光。一段充满了暴风雪,火山爆发和致命狩猎者的危险旅程,一个年轻的埃德蒙頓龙开始了他的第一个千里迁移.
  片中令人惊叹的CG动画 和精心构建的数码世界,可以說是真正的恐龙电影演变,令人震撼.
  The Arctic: 70 million years ago. It is a world of extremes. Tropical summers of 24hr sunlight are replaced by freezing winters of continuous night. The remarkable dinosaurs that lived under the Northern Lights had to make a choice, brave the winter or head south to find the sun.
  Join Scar, a young Edmontosaurus embarking on his first thousand-mile migration. It is a journey for survival that is fraught with danger blizzards, volcanic eruptions and deadly predators lie ahead. Meanwhile Patch, a juvenile Troodon, left alone in the North, must learn to survive in one of the harshest environments the Earth has ever known.
  This epic feature-length adventure portrays an incredible polar odyssey that actually happened but has never
  been witnessed before. Based on recent fossil evidence blasted out of the ice around the North Pole, the makers
  of ''Walking with Dinosaurs'' and ''Prehistoric Park'' are delighted to introduce you to an all-new cast of dinosaurs, from feathered tyrannosaurs to giant marine predators. Featuring stunning animation and a painstakingly recreated digital world, it can truly be said that the dinosaur film has evolved.

860
2011
恐龙的行军
主演:斯蒂芬·弗雷
倒计时
12
7.0
HD中字
倒计时
7.0
更新时间:04月30日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介:

The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R. 

896
1969
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
羞耻2011
11
5.0
HD
羞耻2011
5.0
更新时间:04月30日
主演:迈克尔·法斯宾德,凯瑞·穆里根,妮可·贝哈瑞,露西·沃特斯,詹姆斯·戴尔,亚历克斯·马内塔,汉娜·韦尔,玛丽-安格·拉米雷斯,伊丽莎白·马苏茨,玛尔塔·米兰斯,罗伯特·蒙塔诺
简介:

  布兰顿(迈克尔·法斯宾德 Michael Fassbender 饰)是纽约衣着光鲜的白领。他酷爱成人电影,习惯自慰,并寻花问柳。不过,他与妹妹希西(凯瑞•穆里根 Carey Mulligan 饰)的关系却忽冷忽热。希西总给他电话留言,他却总是避之不及。然而,当希西搬来与他同住 ,他又表现出特别的关心。布兰顿和上司一同去听希西的演唱,结果上司被她的风姿所打动,而他却沉浸在她的歌声中潸然泪下。在妹妹面前,布兰顿表现的无所谓,而上司却大胆追求。这令布兰顿极为羞耻。某日,上司在与家人视频通话后,开始斥责布兰顿往电脑硬盘塞满了成人电影,称之为耻辱。气急败坏的布兰顿却对妹妹发火,令她十分伤心。布兰顿曾约会公司的黑人女秘书,却发现自己真正难以割舍的不是性瘾,而是心中惦念的兄妹之情……
  迈克尔•法斯宾德凭借本片获68届威尼斯电影节影帝

3390
2011
羞耻2011
主演:迈克尔·法斯宾德,凯瑞·穆里根,妮可·贝哈瑞,露西·沃特斯,詹姆斯·戴尔,亚历克斯·马内塔,汉娜·韦尔,玛丽-安格·拉米雷斯,伊丽莎白·马苏茨,玛尔塔·米兰斯,罗伯特·蒙塔诺
血腥星期天
5
8.0
HD中字
血腥星期天
8.0
更新时间:04月30日
主演:詹姆斯·内斯比特,艾伦·吉尔迪亚,Gerard Crossan,Mary Moulds,Carmel McCallion,蒂姆·皮戈特-史密斯,尼古拉斯·法瑞尔,克里斯托弗·维利尔斯,詹姆斯·休伊特,Declan Duddy,Edel Frazer,Joanne Lindsay,Mike Edwards,Gerry Hammond,Jason Stammers,大卫·克莱顿·罗杰斯,肖恩·奥卡恩,大卫·皮尔斯,凯茜·基拉·克拉克,杰拉德·迈克索利,达伦·西里,马克·雷德黑德
简介:

  1972年,北爱人民因不满英国政府未经审讯便予以拘留的不人道做法,决定在1月30日这天举行一场游行。英国陆军将军福特(Tim Pigott-Smith 饰)同时发表声明,定义这是一次非法游行,并将进行镇压。双方的矛盾冲突在前一夜便凸显开来,形势一触即发。北爱温和派议员库普(James Nesbitt 饰)意识到形势严峻,四处奔波告诫人们要克制,千万不可使用暴力。而另一方面英国派来一队伞兵作为先锋部队,防止北爱共和军的人伺机作乱。游行在紧张的气氛下展开,前半段的有条不紊被随之而来的混乱彻底破坏。一群激动的年轻人偏离游行路线,向驻防的的英国军队抗议并投掷石块。英国方面用高压水龙头、催泪弹和橡皮子弹还击。接着事态愈演愈烈,英军开始用真枪实弹向百姓射击,连臂膀上扎了白色手帕(以示和平)的老人也不放过。惶恐的人们四散逃窜,许多人倒在了血泊中不再起来。暴乱结束后,军方对外声称只有三人丧生,而当晚库普从医院拿来的资料显示总共13人死亡,14人受伤。

1824
2002
血腥星期天
主演:詹姆斯·内斯比特,艾伦·吉尔迪亚,Gerard Crossan,Mary Moulds,Carmel McCallion,蒂姆·皮戈特-史密斯,尼古拉斯·法瑞尔,克里斯托弗·维利尔斯,詹姆斯·休伊特,Declan Duddy,Edel Frazer,Joanne Lindsay,Mike Edwards,Gerry Hammond,Jason Stammers,大卫·克莱顿·罗杰斯,肖恩·奥卡恩,大卫·皮尔斯,凯茜·基拉·克拉克,杰拉德·迈克索利,达伦·西里,马克·雷德黑德
厚望
4
3.0
HD中字
厚望
3.0
更新时间:04月30日
主演:菲尔·戴维斯,菲利普·杰克森,Ruth Sheen
简介:

  1988年的伦敦,同居十年的西里尔·本德与雪莉,工作辛苦,收入很低,但乐于助人。西里尔的姐姐瓦莱丽和姐夫马丁是有钱阶层,炫耀财富,还很专横。西里尔的母亲住在儿子附近,她的邻居也是愚蠢自私的新贵。瓦莱丽不管母亲是否同意,准备了家庭宴会庆祝母亲70岁生日。马丁在宴会上企图引诱雪莉,大家不欢而散。西里尔真诚地说,他想要个人人吃饱饭、人人有房子住、有工作做的世界。第二天清晨,西里尔、雪莉和母亲在层顶平台,观赏着城市之光。
  本片以当代英国不同阶级的几位人物,抨击英国当代社会,对奔放不羁的主人公西里尔和雪莉自始至终充满深深的敬意。本片导演迈克·利的工作方法打破传统,他手头没有剧本,而是找来—批演员,让他们各自择角色,熟悉和创造“角色的小天地和整个世界”——包括衣、食、住、行、朋友、恋爱各个方面。当每个演员懂得并深入到角色之中的时候,迈克·利也构绘出整部影片的结构。本片中戴维斯和希恩扮演的一对情侣,充满现实主义色彩。本片1988年在纽约电影节上放映,1989年初在美国正式发行,被美国影评界列为当年十部最佳影片之—。

2601
1988
厚望
主演:菲尔·戴维斯,菲利普·杰克森,Ruth Sheen
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