1949年，解放军某卫生院队长高庆祥，受生命垂危的徐团长之托，去小山村接徐团长的女儿小燕(blog)。谁知在横岭镇，小燕突然失踪，后被人杀害，死时手中攥着一个糖猴，高庆祥痛不欲生。回到卫生院后，他在死不瞑目的徐团长面前庄重发誓：一定要抓住杀害小燕的凶手，为孩子报仇。当晚，高庆祥的婚礼也不欢而散。
　　两年后的肃反中，横岭镇抓获了一名血债累累的反革命分子张金华，嚣张地称小燕也是她杀害的。高庆祥赶到并在他家中搜出了吹糖人的工具，让他当面吹出糖猴。谁知在张金华被枪毙的第二天，又发生了和当年小燕一样的惨案，又一个女孩被先奸后杀。在案发现场也发现了一个糖猴，这个糖猴比张金华吹的更复杂，肚子里有糖稀，孩子们都叫它“猴拉稀”，只有吹糖猴的高手才能吹得出来。张金华的老婆和儿子小山找上门来，要求把案情弄清楚。
　　卫生队就要进城了，高庆祥却要求复员留在了横岭镇派出所，他要实现自己的誓言(听歌)，抓住凶手，保证这一方山村的平安。但事隔久远，线索全无，二十年来破案无望，爱人无奈和他离了婚，高庆祥无怨无悔，始终盯着嫌疑人——疯疯傻傻的赵松林。
　　1972年，自以为逃过法网的嫌疑犯赵松林再次作案，用糖猴把女孩荆花骗上山，正要下手，幸亏高庆祥及时赶来。案犯赵松林仓皇出逃，高庆祥全国各地追寻。
　　转眼高庆祥已年国古稀，被送进养老院，对五十年无结果的追凶历程他百感交集，以为抓获凶手已成泡影，谁知听说养老院还有一个叫高庆祥的老人，他才发现这个和他同名同性的人，正是他找寻五十年的凶手赵松林。可此时已无人能证明赵松林的真实身份。高庆祥找来吹糖人的工具，引得赵松林吹出当年在犯罪现场多次出现的罪证——“猴拉稀”，高庆祥死死抓住赵松林的手腕，半个世纪的夙愿终于实现。

　　影片讲述一个波兰小男孩被父母送进严酷的寄宿学校，在那里受到了人性的压抑和诱惑并逐渐成长成一个具有反叛精神和独立思想的激进诗人。影片背景设置在一战以前，那时波兰这个国家还不存在，而是受到了奥匈帝国和俄国双重的统治，导演也借此片反映出自己祖国的黑暗历史。1979年圣塞巴斯蒂安电影节OCIC奖。

　　东西两德合并后，东部瞬间没落。失去工作的青年也失去了生活的目标。随着外籍移民的不断涌入，矛盾日益扩大，仇恨在蔓延。九十年代初期，多个城市爆发了新纳粹主导的排外骚乱活动。本片的背景正是那个时候的罗斯托克。
　　这部近期的德语高分影片获今年的德国电影奖多项提名，并获得最佳男配角奖。

　　又一部东欧魔幻现实主义佳作,别被片名给骗了,故事远不是像片名那么浪漫...
　　Decadence, homosexuality, excess wealth, infidelity, alcoholism and drugs all played a major role in the decline of aristocracy.

　　居住在德里，以卖枪为生的社会青年索努.迪力一向得意于自己坑蒙拐骗的本领，然而突如其来的恋爱却唤起了他回归正道的念头。在他想要退出江湖时，一位质朴的警察来了，在他的威胁之下，索努被迫作为警方线人深入德里枪支贸易的最深处，从黑暗走向更深的黑暗……他能否全身而退？他的爱情会被谎言所断送吗？警方看似正义的行动背后有什么秘密？这次卧底之行从他的身上带走的，会是良知，爱情，羁绊，还是生命？

　　A movie tells the one sided love story of young man - Ngan for his girlfriend from childhood - Halan

　　荒凉的旷野，一群暴虐的劫匪正在鞭挞一位美丽的姑娘玛丽亚（萝蕾丹娜·卡波莱特 Loredana Cappelletti饰）。幸得迪亚戈（弗兰科·尼罗 Franco Nero饰）的解救。他神秘而冷峻，拖着一副棺材漫步在泥泞的荒野上。迪亚戈带着玛丽亚来到荒凉的小镇，人们对他的到来充满好奇，更对这副棺材里隐藏的秘密而惶惶不安。
　　本片作为意大利西部片的经典暴力之作，曾在世界多国遭到禁映。2012年，鬼才导演昆汀·塔伦蒂诺拍摄的《被解放的姜戈》，向此片致敬。

　　Life at the border is very tough. The land is stony and dry, farmers plough fields of sand and illegal trafficking seems to be the only way to make a living. In Deliviran, a village near Urfa close to the Syrian border, Hidir’s chief is involved in smuggling and gets shot. Hidir tries to stay out of illegal activities but circumstances contrive to push him in the opposite direction until he accepts to take a herd of sheep across the border. Amidst poverty and the landmines Hidir struggles to keep his dream and his young son alive.

　　The 18th century tale of a youngster whose memories, recounted after death, are a long series of wrong moral choices ending up with his killing his evil alter-ego, that is committing suicide.

　　在姑姑克拉丽莎（Sibylle Canonica 饰）的影响下，女孩拉拉（西尔薇·泰斯图德 Sylvie Testud 饰）对演奏黑管产生了兴趣，以音乐为契机，拉拉和克拉丽莎之间的关系越来越亲密。面对这一现象，拉拉的父亲马丁（Howie Seago 饰）的内心十分的复杂，因为他和克拉丽莎之间的关系并不和睦。
　　一转眼十年过去了，拉拉在音乐方面的成就和天赋为她赢得了前往专业音乐学院深造的机会，在克拉丽莎的建议下，她决定搬去柏林与姑姑同住。拉拉的这一决定在家里掀起了一场狂风暴雨，尽管父母都表示了强烈反对，但固执又任性的拉拉依旧我行我素。母亲的去世让拉拉一下子成熟了起来，一番波折后，她终于领悟了家庭和亲情的重要。

　　玛丝洛娃（史蒂芬妮雅·若卡 Stefania Rocca 饰）是一个天真善良而又单纯的农家女，一次偶然中，她邂逅了名为聂赫留朵夫（Timothy Peach 饰）的富家公子，并且深深地爱上了他。可是，聂赫留朵夫并不是真的爱玛丝洛娃，他诱奸了她，并且残忍的将其抛弃。
　　绝望和痛苦之中，走投无路的玛丝洛娃沦为了妓女，身心都受到了严重伤害的她开始依靠酒精和毒品来逃避现实麻醉自己。最终，玛丝洛娃触犯了法律，被关进了监狱。在法庭上，玛丝洛娃在一次和坐在陪审席上的聂赫留朵夫重逢了，良心折磨着聂赫留朵夫，他决定拯救玛丝洛娃并且同她结婚，可是，为了保全爱人的名誉，玛丝洛娃拒绝了他。

　　Coming as it does from the depths of the Stalinist regime, the Russian Road to Life is a remarkably optimistic film. A host of nonprofessional children are cast as Moscow street kids, left homeless by the Bolshevik revolution. They get into all sorts of melodramatic scrapes until they're rounded up by kindly, altruistic Soviet functionaries. The children are reformed (in the nicest possible way) and made useful members of society. Road to Life is simplistic in its solutions to society's problems, albeit no more so than the usual Hollywood product from the same period.

　　该片形成了一种无产者与资本家阶级对立的现实主义题材，以及神的力量奖善惩恶的寓言混合体。此片有两个主要特点，第一是怀旧情绪。以30年代瑞典为背景，经济大萧条所的情绪来建构影片的基调。第二是政治色彩。几十年来人的愚昧，麻木和逃避为一种强权的产生汇集了能量，这种能量散发的结果就是对人长期拥有的自由平等的权利进行疯狂的扼杀。这部影片在最后引入了宗教对人类的拯救，寓意十足，耐人寻味。

　　A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.

　　一九三九年之夏，十三歲男孩獨自前往與世隔絕的孤島，擔當燈塔主人的助手。風景如畫的小島，其實是個無處可逃的牢籠。操控欲強的嚴苛父親培養出唯命是從的乖巧兒子，因為陌生男孩的闖入，本來絕對封閉的家庭開始失衡。嚴格支配一切的燈塔主人，逼出男孩的絕地反抗。
　　導演以獨特的女性視角，描繪父子、手足、師徒的權力關係，譜出忠誠、背叛、嫉妒的情感張力。對下一代的過份期望反為孩子帶來無可挽回的身心創傷。代表芬蘭出戰奧斯卡金像獎最佳外語片。
　　2014/ 瑞典哥德堡電影節 Telia 獎
　　2014/ 代表芬蘭角逐奧斯卡金像獎最佳外語片

　　一部根据真实事迹改编的电影：讲述了一个男孩生下来残疾并不能说话，大家都以为他是像植物一样什么都不懂，后来他被送到精神病院，被医生发现他听得懂并教他怎么表达，用了近三十年时间证明自己拥有心智的故事。

　　德国慕尼黑，丈夫克里斯特告别了妻子亚丽安娜（Margit Carstensen 饰）与瘸腿女儿安吉拉（Andrea Schober 饰），赴奥斯陆公干，但他在半路中转，约会了情人并将其带到自己的乡间别墅。但他意外发现亚丽安娜与情人——自己的助手早已抵达别墅偷情，四人很快在尴尬的气氛中回过神来，坐到了一张桌子上享用晚餐。负责照料别墅的卡斯特与加百列母子注视着四人，内心各有不同的触动。当天夜里，安吉拉在保姆的陪伴下亦抵达别墅，她的出现让亚丽安娜为其腿疾绷紧的神经再次拉紧，气氛一时僵硬。
　　第二天夜里，安吉拉组织别墅里的所有八人进行一场叫做“中国轮盘赌”的问答游戏，分成两组的八人互相提问作答，牵出了各自内心隐藏的秘密。

　　莫斯科街头，花季少女莉莉亚（奥莎娜·阿金什那 Oksana Akinshina饰）正向朋友吹嘘即将随母亲移居美国。可到家之后，母亲告诉她要留下来跟姑妈生活。而姑妈则趁机霸占她的房子，把她赶到一幢肮脏破旧的公寓去住。莉莉亚那童话般的幻想瞬间崩塌，此时她终于相信被母亲遗弃了。孤独无助的莉莉亚只能从她唯一的朋友男孩沃洛佳（波古查史基 Artyom Bogucharsky饰）那里得到一丝安慰。为了活下去，莉莉亚也被迫走上了靠出卖肉体为生的道路。当善良天真的莉莉亚以为遇到真爱的时候，便不顾一切的去了瑞典。可她又怎会知道，这地狱般的生活其实才刚刚开始……
　　童星奥莎娜·阿金什那凭借这个角色获得2002年欧洲电影奖最佳女演员的提名。

　　The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).
　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.
　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.
　　Plot:
　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

　　影片根据2014年轰动一时的亚洲考场作弊案改编，讲述了天才学霸利用高智商考场作弊牟取暴利的故事。出生平凡的天才少女Lynn（茱蒂蒙·琼查容苏因 饰）在进入贵族学校后，结识了富二代同学Grace（依莎亚·贺苏汪饰）与Pat（披纳若·苏潘平佑饰），从此开始了考场作弊生涯，与此同时，另一名记忆力极佳的天才学霸Bank（查侬·散顶腾古 饰）发现了Lynn不为人知的“交易”。经过多场险象环生的“作弊战争”后，Lynn接下最后一单在国际考场上为富家子弟作弊的天价委托。一场横跨两大洲的完美作弊方案横空出世，然而一切并不像他们想的那么简单……

　　故事发生在1946年。内战过后，西班牙中心地带的某个地方只剩下绝望，贫穷和流犯。有一个男孩不断逃亡，并在沟渠中找到了藏身之处。搜查队离开后，他面对的是一个充满危险和干旱的平原。万幸的是，他在穿越平原的路上遇到了一个牧羊人，两人最终选择同行。一路上，他们必须应对饥饿和缺水，并逃避由工头派来寻找男孩的人。牧羊人成为男孩的导师：他解释了他的职业和他对生活的理解。随着时间的流逝，牧羊人也知晓了男孩想要逃避的究竟是怎样的恐惧。

　　Francisco Regueiro - 60-70年代西班牙新电影时期杰出的作者电影导演。

　　A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.

　　本尼是一个娇弱的女孩，有着不受约束的精力。她是个“系统破坏者”。这个术语用来描述那些违反每一条规则的儿童；那些拒绝接受任何形式的结构的儿童，以及那些逐渐从德国儿童和福利服务的裂缝中跌落的儿童。不管这个9岁的孩子被带到哪里，她都会在短时间内再次被解雇。这正是她所追求的，因为她所想要的就是能够再次和她母亲生活在一起，一个完全无法应付女儿不可估量的行为的女人。